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1、casethenovelistintendstopointouttheprofoundcauseofGatsby’stragedy.Dr.WatsoninthestoriesofSherlockHolmesservesasafoiltothehero,renderingthedetectivesmarterthanhewouldotherwiseappeartothereader. Bythedegreeoftheirdevelopment,characterscanbegroupedasroundcharac
2、tersand flatcharacters.ThisdivisionisproposedbyE.MForster.Roundcharactersarefullydevelopedwhileflatcharactersarenot.Orwecansaythatroundcharactersgrowwhileflatcharactersdonot.Usuallythereaderisallowedaccesstotheinnerlifeoftheroundcharacterandpermittedtolearna
3、boutmanysidesoftheroundcharacter.Theflatcharacterisa“closed”charactertowhoseinnerthoughtsthereaderisdeniedaccess.Usuallyonesideoftheflatcharacterisshowninthenovel.Mostheroesareroundcharacterswhogrowemotionallyorspiritually. ChapterThreeTheme AristotleinPoeti
4、cslistssixbasicelementsoftragedy.Melody(song)anddiction(language)fallinthegeneralcategoryofstyle,andspectacleisrelevanttosettinginourdiscussionoffiction.Theotherthreeaspectsaremythosorplot,ethosorcharacter,anddianoia,whichwegenerallytranslateinto“thought”inE
5、nglish.AccordingtoAristotle,plotisthe“soul”orshapingprincipleorfiction,andcharactersexistprimarilyasfunctionsoftheplot.Inmostofthestories,plotplaystheroleofprincipalstructureofthestory.But,asNorthropFryepointsout,besidestheinternalfictionofthecharacterandhis
6、/hersociety,thereisanexternalfictionconsistingofarelationbetweenthewriterandthewriter’ssociety.WeindeedhaveliteraryworksbythelikesofShakespeareandHomerinwhichartistryiscompletelyabsorbedintheirinternalcharactersandwecanhardlyperceivetheexistenceoftheauthor.H
7、owever,assoonastheauthor’spersonalityappearsonthehorizon,arelationwiththereaderisestablished,andsometimesthereseemsnostoryatallapartfromwhattheauthorisconveyingtohis/herreader.Inthiscase,theprimaryinterestindianoia,theideaorthoughtthatreadergetsfromthewriter
8、,whichinmoderncriticismwegenerallycall“theme”. I.WhatIsTheme? Oneofthesafestcommentstomakeaboutnovelsisonthetheme.Everyoneisentitledtoextractathemebaseduponhisunderstandingofthenovel.Thememaybet
