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1、casethenovelistintendstopointouttheprofoundcauseofGatsby’stragedy.Dr.WatsoninthestoriesofSherlockHolmesservesasafoiltothehero,renderingthedetectivesmarterthanhewouldotherwiseappeartothereader. Bythedegreeoftheirdevelopment,characterscanbegroupedasroundcha
2、ractersand flatcharacters.ThisdivisionisproposedbyE.MForster.Roundcharactersarefullydevelopedwhileflatcharactersarenot.Orwecansaythatroundcharactersgrowwhileflatcharactersdonot.Usuallythereaderisallowedaccesstotheinnerlifeoftheroundcharacterandpermittedto
3、learnaboutmanysidesoftheroundcharacter.Theflatcharacterisa“closed”charactertowhoseinnerthoughtsthereaderisdeniedaccess.Usuallyonesideoftheflatcharacterisshowninthenovel.Mostheroesareroundcharacterswhogrowemotionallyorspiritually. ChapterThreeTheme Aristot
4、leinPoeticslistssixbasicelementsoftragedy.Melody(song)anddiction(language)fallinthegeneralcategoryofstyle,andspectacleisrelevanttosettinginourdiscussionoffiction.Theotherthreeaspectsaremythosorplot,ethosorcharacter,anddianoia,whichwegenerallytranslateinto
5、“thought”inEnglish.AccordingtoAristotle,plotisthe“soul”orshapingprincipleorfiction,andcharactersexistprimarilyasfunctionsoftheplot.Inmostofthestories,plotplaystheroleofprincipalstructureofthestory.But,asNorthropFryepointsout,besidestheinternalfictionofthe
6、characterandhis/hersociety,thereisanexternalfictionconsistingofarelationbetweenthewriterandthewriter’ssociety.WeindeedhaveliteraryworksbythelikesofShakespeareandHomerinwhichartistryiscompletelyabsorbedintheirinternalcharactersandwecanhardlyperceivetheexis
7、tenceoftheauthor.However,assoonastheauthor’spersonalityappearsonthehorizon,arelationwiththereaderisestablished,andsometimesthereseemsnostoryatallapartfromwhattheauthorisconveyingtohis/herreader.Inthiscase,theprimaryinterestindianoia,theideaorthoughtthatre
8、adergetsfromthewriter,whichinmoderncriticismwegenerallycall“theme”. I.WhatIsTheme? Oneofthesafestcommentstomakeaboutnovelsisonthetheme.Everyoneisentitledtoextractathemebaseduponhisunderstandingofthenovel.Thememaybet
