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1、PrefaceHongLouMeng(HLMforshortinthisthesis)isagreatclassicalChinesenovelwritteninthemid-eighteenthcenturyduringthereignofEmperorQianlongoftheQingDynasty.IntertwinedwiththetragiclovebetweenJiaBaoyuandLinDaiyu,thisnoveldepictsmultifariouscontradictionsinfourbigaristocraticfami
2、liesrepresentedbythefamilyofJia,anddisplaysmanycharacteristicsofChinesefeudalculture,includingclothing,food,architecture,socialsystem,conventions,philosophy,educationandart,etc.Thenovelinvolvesovertwohundredbeautifulandwell-designedtraditionalverseswhichnotonlyconstituteanin
3、separablepartofthewholework,butalsoreflecttraditionalChineseculture.Uptillnow,HLMhasbeentranslatedintooveradozenforeignlanguagesincluding9Englishversions,amongwhichYangXianyi&GladysYang’sADreamofRedMansionsandDavidHawkes&JohnMinford’sTheStoryoftheStonearecompleteversionsandt
4、hetwomostoutstandingones.Comparedwithstudiesonthetranslationofthenarrationinthisnovelandtheculturalinformationinvariousaspectsindailylife,studiesonthetranslationofitspoetryaretobefurtherdeepened.Inthisthesis,theauthorwouldviewtheEnglishtranslationofthepoetryinthisnovelfromth
5、ereproductionofthewriter’sintentionsandtheconveyanceof“ThreeBeauties”.Bystudyingthetranslationofthesepoems,wemayseethenecessityandpossibilityofthetranslationofthepoetryinthisnovel.Theprincipleofthe“ThreeBeauties”whichisaguidetothetranslationandcriticismofpoetryrefersto“beaut
6、yinsense,beautyinsoundandbeautyinform”.IthasbeenputforwardagainbyProfessorXuYuanchongbasedonhispredecessors’researchandhisownpractice.Itmeansthatthetranslatorofpoetryshouldendeavortomakehis/herversionfaithfultotheoriginal.Buthe/sheshouldnotstopjusthere:fromthispointthetransl
7、atormustcontinuehis/herefforttobringouttheoriginalbeautiesinsense,insoundandinform,thatis,totransferrhymedversesintorhymedones.Inthisthesis,theanalysisandassessmentofthe“ThreeBeauties”involveexaminationoftheuseofimagery,rhymeandrhythmandthearrangementoflines.Translationiscon
8、sideredasaprocessactualizedbythetranslatorwhohashis/herownsubjectivity.Buth
