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1、PrefaceHongLouMeng(HLMforshortinthisthesis)isagreatclassicalChinesenovelwritteninthemid-eighteenthcenturyduringthereignofEmperorQianlongoftheQingDynasty.IntertwinedwiththetragiclovebetweenJiaBaoyuandLinDaiyu,thisnoveldepictsmultifariouscontradictionsinfourbi
2、garistocraticfamiliesrepresentedbythefamilyofJia,anddisplaysmanycharacteristicsofChinesefeudalculture,includingclothing,food,architecture,socialsystem,conventions,philosophy,educationandart,etc.Thenovelinvolvesovertwohundredbeautifulandwell-designedtradition
3、alverseswhichnotonlyconstituteaninseparablepartofthewholework,butalsoreflecttraditionalChineseculture.Uptillnow,HLMhasbeentranslatedintooveradozenforeignlanguagesincluding9Englishversions,amongwhichYangXianyi&GladysYang’sADreamofRedMansionsandDavidHawkes&Joh
4、nMinford’sTheStoryoftheStonearecompleteversionsandthetwomostoutstandingones.Comparedwithstudiesonthetranslationofthenarrationinthisnovelandtheculturalinformationinvariousaspectsindailylife,studiesonthetranslationofitspoetryaretobefurtherdeepened.Inthisthesis
5、,theauthorwouldviewtheEnglishtranslationofthepoetryinthisnovelfromthereproductionofthewriter’sintentionsandtheconveyanceof“ThreeBeauties”.Bystudyingthetranslationofthesepoems,wemayseethenecessityandpossibilityofthetranslationofthepoetryinthisnovel.Theprincip
6、leofthe“ThreeBeauties”whichisaguidetothetranslationandcriticismofpoetryrefersto“beautyinsense,beautyinsoundandbeautyinform”.IthasbeenputforwardagainbyProfessorXuYuanchongbasedonhispredecessors’researchandhisownpractice.Itmeansthatthetranslatorofpoetryshoulde
7、ndeavortomakehis/herversionfaithfultotheoriginal.Buthe/sheshouldnotstopjusthere:fromthispointthetranslatormustcontinuehis/herefforttobringouttheoriginalbeautiesinsense,insoundandinform,thatis,totransferrhymedversesintorhymedones.Inthisthesis,theanalysisandas
8、sessmentofthe“ThreeBeauties”involveexaminationoftheuseofimagery,rhymeandrhythmandthearrangementoflines.Translationisconsideredasaprocessactualizedbythetranslatorwhohashis/herownsubjectivity.Buth
