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1、PrefaceHongLouMeng(HLMforshortinthisthesis)isagreatclassicalChinesenovelwritteninthemid-eighteenthcenturyduringthereignofEmperorQianlongoftheQingDynasty.IntertwinedwiththetragiclovebetweenJiaBaoyuandLinDaiyu,thisnoveldepictsmultifariouscontradictionsinfourbigaristocraticfamiliesrepresent
2、edbythefamilyofJia,anddisplaysmanycharacteristicsofChinesefeudalculture,includingclothing,food,architecture,socialsystem,conventions,philosophy,educationandart,etc.Thenovelinvolvesovertwohundredbeautifulandwell-designedtraditionalverseswhichnotonlyconstituteaninseparablepartofthewholewor
3、k,butalsoreflecttraditionalChineseculture.Uptillnow,HLMhasbeentranslatedintooveradozenforeignlanguagesincluding9Englishversions,amongwhichYangXianyi&GladysYang’sADreamofRedMansionsandDavidHawkes&JohnMinford’sTheStoryoftheStonearecompleteversionsandthetwomostoutstandingones.Comparedwithst
4、udiesonthetranslationofthenarrationinthisnovelandtheculturalinformationinvariousaspectsindailylife,studiesonthetranslationofitspoetryaretobefurtherdeepened.Inthisthesis,theauthorwouldviewtheEnglishtranslationofthepoetryinthisnovelfromthereproductionofthewriter’sintentionsandtheconveyance
5、of“ThreeBeauties”.Bystudyingthetranslationofthesepoems,wemayseethenecessityandpossibilityofthetranslationofthepoetryinthisnovel.Theprincipleofthe“ThreeBeauties”whichisaguidetothetranslationandcriticismofpoetryrefersto“beautyinsense,beautyinsoundandbeautyinform”.Ithasbeenputforwardagainby
6、ProfessorXuYuanchongbasedonhispredecessors’researchandhisownpractice.Itmeansthatthetranslatorofpoetryshouldendeavortomakehis/herversionfaithfultotheoriginal.Buthe/sheshouldnotstopjusthere:fromthispointthetranslatormustcontinuehis/herefforttobringouttheoriginalbeautiesinsense,insoundandin
7、form,thatis,totransferrhymedversesintorhymedones.Inthisthesis,theanalysisandassessmentofthe“ThreeBeauties”involveexaminationoftheuseofimagery,rhymeandrhythmandthearrangementoflines.Translationisconsideredasaprocessactualizedbythetranslatorwhohashis/herownsubjectivity.Buth
