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1、PrefaceHongLouMeng(HLMforshortinthisthesis)isagreatclassicalChinesenovelwritteninthemid-eighteenthcenturyduringthereignofEmperorQianlongoftheQingDynasty.IntertwinedwiththetragiclovebetweenJiaBaoyuandLinDaiyu,thisnoveldepictsmultifariouscontradictionsinfo
2、urbigaristocraticfamiliesrepresentedbythefamilyofJia,anddisplaysmanycharacteristicsofChinesefeudalculture,includingclothing,food,architecture,socialsystem,conventions,philosophy,educationandart,etc.Thenovelinvolvesovertwohundredbeautifulandwell-designedt
3、raditionalverseswhichnotonlyconstituteaninseparablepartofthewholework,butalsoreflecttraditionalChineseculture.Uptillnow,HLMhasbeentranslatedintooveradozenforeignlanguagesincluding9Englishversions,amongwhichYangXianyi&GladysYang’sADreamofRedMansionsandDav
4、idHawkes&JohnMinford’sTheStoryoftheStonearecompleteversionsandthetwomostoutstandingones.Comparedwithstudiesonthetranslationofthenarrationinthisnovelandtheculturalinformationinvariousaspectsindailylife,studiesonthetranslationofitspoetryaretobefurtherdeepe
5、ned.Inthisthesis,theauthorwouldviewtheEnglishtranslationofthepoetryinthisnovelfromthereproductionofthewriter’sintentionsandtheconveyanceof“ThreeBeauties”.Bystudyingthetranslationofthesepoems,wemayseethenecessityandpossibilityofthetranslationofthepoetryin
6、thisnovel.Theprincipleofthe“ThreeBeauties”whichisaguidetothetranslationandcriticismofpoetryrefersto“beautyinsense,beautyinsoundandbeautyinform”.IthasbeenputforwardagainbyProfessorXuYuanchongbasedonhispredecessors’researchandhisownpractice.Itmeansthatthet
7、ranslatorofpoetryshouldendeavortomakehis/herversionfaithfultotheoriginal.Buthe/sheshouldnotstopjusthere:fromthispointthetranslatormustcontinuehis/herefforttobringouttheoriginalbeautiesinsense,insoundandinform,thatis,totransferrhymedversesintorhymedones.I
8、nthisthesis,theanalysisandassessmentofthe“ThreeBeauties”involveexaminationoftheuseofimagery,rhymeandrhythmandthearrangementoflines.Translationisconsideredasaprocessactualizedbythetranslatorwhohashis/herownsubjectivity.Buth
