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1、AdaptationVol.1,No.2,pp.106–120doi:10.1093/adaptation/apn018Adaptation,theGenreTHOMASLEITCH*AbstractInsteadofconsideringfilmandtelevisionadaptationsinthecontextofthesourcetextstheyareadapting,thisessayproposesanothercontextfortheirreceptionandanalysis:theDownloadedfromgenreofadap
2、tationitself.FocusingontheHollywoodtraditionsofmasculineadventureandfemi-nineromanceassociatedrespectivelywithadaptationsofAlexandreDumaspèreandfils,itidenti-fiesfourgenremarkerscommontobothtraditionsthatmakeitmorelikelyagivenadaptationwillbeperceivedasanadaptationevenbyanaudience
3、thatdoesnotknowitssource,andoneanti-markerassociatedwithadaptationsinthetraditionoftheyoungerDumasbutnottheelder.Thehttp://adaptation.oxfordjournals.org/essayconcludesbyproposingadaptationasamodelforallHollywoodgenres.KeywordsAdaptation,film,genre,romance,adventure,Dumas.Whenever
4、studentsofadaptationgather,acallinvariablyarisesforanalternativetoaremarkablypersistentmodelofadaptationstudies:theone-to-onecasestudythattakesasinglenovelorplayorstoryasaprivilegedcontextforitsfilmadaptation.Thisessayproposesadifferentmodelbasedonadifferentcontextbydefiningadapta
5、tionasagenrewithitsownrules,procedures,andtextualmarkersthatarejustaspowerfulasanysingleostensiblesourcetextindeterminingtheshapeagivenadaptationtakes.atPalackyUniversityonApril9,2013Itmayseemperversetoarguethatcinematicadaptationsofliteraryworksconstituteagenrewhenthisgenrehasa
6、ttractedsolittleanalysisorattention.The‘Genreindex’toRickAltman’sFilm/Genrelistseighty-fivedifferentgenres,from‘action’to‘zombie’(238–9),butneither‘adaptation’nor‘literaryadaptation’isamongthem.Anditiseasytoseewhy,forthereisnoobviouswaythatadaptationfitsAltman’saccountofagenre:‘If
7、itisnotdefinedbytheindustryandrecognizedbythemassaudience,thenitcannotbeagenre,becausefilmgenresarebydefinitionnotjustscientificallyderivedortheo-reticallyconstructedcategories,butarealwaysindustriallycertifiedandpubliclyshared’(16).Ifadaptationisindeedagenre,ithasbeenalargelyinvisib
8、legenrethathasflownbeneathmostobservers’radar,pe