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1、AStylisticAnalysisofOdetotheWestWindClass3,Name:XXX,StudentNumber:XXXXXXXXXXAbstract:OdetotheWestWindisthemostfamouslyricpoetryofShelley,awell-knownEnglishromanticpoet.Inthispoem,Shelleyappliedmanyfiguresofspeech,combinedscenery-depictingandemotion-expressing.Thelivelyrhythm,effusive
2、emotionandprofoundmeaningunifiedtheformandthecontent.Thispapertriestoanalyzeinthefollowingthreeaspects----Firstly,atphoneticlevel,toillustratethatthispoemrenderatmosphereandexpressideologicalpurposebyacoustics,mainlyinrhymeandpause.Secondly,atlexicallevel,thispoemappliedsimile,metaph
3、orandpersonificationtomakeunrealimagesmorespecificandvivid,makeflatwordsfullofstronginfection.Last,atsyntacticlevel,fromthestructuralanalysisoftheinversion,repetitionandrhetoricalquestioninthispoem,weknowclearerabouttherelationshipbetweenformsandcontents.KeyWords:Phoneticlevel;lexica
4、llevel;syntacticlevel;forms;contents1Introduction“Usingproperwordsinproperplaces,andthisistherealdefinitionofstyle.”FromthedefinitionofstylethatSwiftgave.Wecanmakeacomprehensionthatthelanguageexpressionwayofaliteraryworkisthemostremarkablestyle.AstheoldChinesesayinggoes,“thestyleisth
5、eman”.Byreadingthewordsandphrasesofawork,itisnowonderthatwecanguessthecreatingtimeandauthorofthework.Forinstance,thewritingstyleofElizabethanAgeisfullofpassionandromanticcolor,andintegratedandunifiedinstructure.ThestyleofHemingwayisclear,conciseandsimpleinsentencestructure.Butwecanno
6、ttreatdifferentthingsasthesame;wedon’texcludethe6/6possibilitythatauthorsindifferenttimesmayhavesimilarwritingstyle.Actually,sincethestylisticscameintobeing,thereisnounifieddefinitionofstyle.Manyexpertsandscholarstriedtogiveadefinitionofstylefromtheirownresearchfields.Simplyspeaking,
7、therearetworesearchobjectsofstyle—oneistheideologicalcontentsofliteraryworks;theotherislinguisticfeatureofstyle.Thatistosay,itmainlyreferstoformsandcontents.Contentsarethethoughtsandviewofauthor.Formsincludegrammar,vocabulary,rhetoricdevicesandsoon,i.e.linguisticphenomenon.Expertsarg
8、uedaboutther