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1、AStylisticAnalysisofOdetotheWestWindClass3,Name:XXX,StudentNumber:XXXXXXXXXXAbstract:OdetotheWestWindisthemostfamouslyricpoetryofShelley,awell-knownEnglishromanticpoet.Inthispoem,Shelleyappliedmanyfiguresofspeech,combinedscenery-depictingandemotion-ex
2、pressing.Thelivelyrhythm,effusiveemotionandprofoundmeaningunifiedtheformandthecontent.Thispapertriestoanalyzeinthefollowingthreeaspects----Firstly,atphoneticlevel,toillustratethatthispoemrenderatmosphereandexpressideologicalpurposebyacoustics,mainlyin
3、rhymeandpause.Secondly,atlexicallevel,thispoemappliedsimile,metaphorandpersonificationtomakeunrealimagesmorespecificandvivid,makeflatwordsfullofstronginfection.Last,atsyntacticlevel,fromthestructuralanalysisoftheinversion,repetitionandrhetoricalquesti
4、oninthispoem,weknowclearerabouttherelationshipbetweenformsandcontents.KeyWords:Phoneticlevel;lexicallevel;syntacticlevel;forms;contents1Introduction“Usingproperwordsinproperplaces,andthisistherealdefinitionofstyle.”FromthedefinitionofstylethatSwiftgav
5、e.Wecanmakeacomprehensionthatthelanguageexpressionwayofaliteraryworkisthemostremarkablestyle.AstheoldChinesesayinggoes,“thestyleistheman”.Byreadingthewordsandphrasesofawork,itisnowonderthatwecanguessthecreatingtimeandauthorofthework.Forinstance,thewri
6、tingstyleofElizabethanAgeisfullofpassionandromanticcolor,andintegratedandunifiedinstructure.ThestyleofHemingwayisclear,conciseandsimpleinsentencestructure.Butwecannottreatdifferentthingsasthesame;wedon’texcludethepossibilitythatauthorsindifferenttimes
7、mayhavesimilarwritingstyle.Actually,sincethestylisticscameintobeing,thereisnounifieddefinitionofstyle.Manyexpertsandscholarstriedtogiveadefinitionofstylefromtheirownresearchfields.Simplyspeaking,therearetworesearchobjectsofstyle—oneistheideologicalcon
8、tentsofliteraryworks;theotherislinguisticfeatureofstyle.Thatistosay,itmainlyreferstoformsandcontents.Contentsarethethoughtsandviewofauthor.Formsincludegrammar,vocabulary,rhetoricdevicesandsoon,i.e.linguisticphenomenon.Expertsarguedabouttherela
