林黛玉诗词两译本的比较研究——移情视角

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1、及其发展进行了说明，并指出了中西移情的差异。第二章介绍移情在汉诗英译中的应用。指出了诗歌翻译的困难，诗歌翻译中存在的一些争议，以及把移情用于指导汉诗英译的理论和实践基础。第三章主要是从移情角度比较林黛玉诗词的两个译本。先从译者主体性的发挥来说明如何准确地移情，’再通过在音、形、意三方面的移情比较来看杨、霍两译本在诗歌翻译过程中的移情努力。第四章阐述了由这种比较研究所获得的启发。结论部分对全文作了回顾和总结。再次强调情感是诗歌的灵魂。诗歌翻译中原诗情感的传递极其重要。要准确地传递这种情感，需要译者积极充分地发挥其主体性，达到与原作者的情感共鸣。并且指出音、形、意是诗歌表现情感的重要方式。

2、音美、形美、意美在诗歌翻译中的传达也关系到译者移情的效果。相比之下，在诗歌翻译中，作为母语读者的杨宪益，更加注重诗歌意美和形美的表现，而霍克斯则偏重诗歌音乐性的传达。他们分别在不同的方面实现了与原作的移情，完成了各具特色的诗歌译作。关键词：移情说，诗歌翻译，《红楼梦》，意象，“三美”AbstractHongloumengisacondensationoftraditionalChineseculture，embodyingdiversiformgenreslikenarrative，amoebeanandpoeticalstyle，amongwhichthepoeticalstylei

3、saffluentindifferenttypesaswell，suchasregulatedpoems，lyricmeters，dramaticlyrics，rhymeprose，antitheticalcouplets，songsandeulogies．Thesepoemsareindispensableasanorganiccomponentofthewholenovel．However,itisreallyregretfulthatthepoetryinitissometimesneglectedintranslations．Suchasituationofignoringpo

4、etrytranslationinHongloumenghasnotbeenchangeduntil1970s，thetimewhentwocompleteEnglishversionstranslatedbytheBritishsinologistDavidHawkesandhisson··in--lawJohnMinf．ord，andYangXianyiandhiswifeGladysYangrespectivelywerepublished，inwhichpoetrytranslationhasbeenwelldearwith．Nowadaysthestudyonpoetrytr

5、anslationinHongloumengisbecomingmoreandmorepopularalongwi也theappearanceofthetwotranslations，whereastheindividualstudyonLinDaiyu’Spoetryisrarelyfound．ItisbelievedthatLinDaiyuhasinditedthelargestnumberofpoemsamongallthecharacters，whichhasnotonlycharacterizedherpersonality,butalsoadumbratedhermiser

6、ablefateandtragicending．Thesepoemsarecloselyrelatedwiththeplotdevelopmentofthenovel，appearingSOfrequentlyinthewholenovel．ThisthesiswillchoosesomeofthepoemscomposedbyLinDaiyu，doingacomparativestudybetweenYang’SandHawkes’Spoetrytranslationsfromtheperspectiveofempathy．Itwillbethemaingoaltoexemplify

7、howthetranslatorsofthesetWOtranslationsempathizewimthepoetsoftheoriginalinpoetrytranslationundertheguidanceofempathytheory．Thewholethesisincludesfourchaptersapartfromtheintroductionandtheconclusion．Intheintroduction,thewriti