3²ᦻ³Operaisexpensive:thatmuchisinevitable.Butexpensivethingsarenotinevitablytheprovinceoftherichunlessweabdicatesociety'spowerofchoice.Wecanchoosetomakeopera,andotherexpensiveformsofculture,accessibletothosewhocannotindividuallypayforit.Thequestionis:whyshouldwe?Nobodydeniestheimperativesoffood,shelter,defense,healthandeducation.Buteveninaprehistoriccave,mankindstretchedoutahandnotjusttoeat,drinkorfight,butalsotodraw.Theimpulsetowardsculture,thedesiretoexpressandexploretheworldthroughimaginationandrepresentationisfundamental.InEurope,thisdesirehasfoundfulfillmentinthemasterpiecesofourmusic,art,literatureandtheatre.Thesemasterpiecesarethetouchstonesforallourefforts;theyarethetouchstonesforthepossibilitiestowhichhumanthoughtandimaginationmayaspire;theycarrythemostprofoundmessagesthatcanbesentfromonehumantoanother.²¯ὃ±ᦻ³Ὦµ¶ᒓ!¸ᶧ»3QG!»Ḅ½ᱥ¿${ÀÁÂÃHḄᶖ!◀$ᡃÆÇÈÉ.Ḅ⌱ËᩗᡃÆÍ⌱Ë7ζᒓᐸÏлḄᦻᓄÒÓ,ÔÕÖÐᐹᜓÙHÚÛÔḄHᡠܦQÝ⚪G!ᡃÆᨵ{⌕àáᔩãäH.ᔲæçᱥஹèᡠஹ■êஹᏉìᦟîḄÍᡈðឋQᓽóGᙠôõ5öḄ÷ø!Hùú0ûᩭ!üᓫþGÕ]ᔛஹᡈᩔᦻᓄḄ!"#ᩭ⊤!&'()*Ḅ+,-./ᨵ1ᙠ3456+,ᙠᡃ8Ḅ9:ஹ;<ஹᦻ=>ᒓᩲABCᑮEᐸG!H5Iᩲ᪀ᡂEᡃ8ᐰMNOḄPQRSPQRT8U⊝WXḄYYOᡠ[U\]Ḅ^_T8`aḼᨬdefgḄh⚪[ᙠjklmno⌴
4rsᦻtᡃ8u⊤vwxyᨴ{A|ᜧ~〈Eᨬ6ᢇyᨌ3EᡃᙠUᐭṑ⊟ᑮᕜ¡¢☢¤ᐝ¦¦,Ḽ§¨5©ᨵḄª⁐Ḅᜩᯠ¢¯ᡃYE°±°±……5ᑮ§¨³´µ¶·ᯠ^ᒺᒺ¹Eºᙢ¼³E½¾µE¿ÀᜧÁᑮ6-ÃÄÅḄ6ÆÇ⌕É⚪ÊAËÌÍᙠ21)ÎḄÏзᯠἔÒᜧ▮ஹ§¨Ḅ☘ÕÖ×ᙠØḄÙÚÛAᨵḼᔜÞØḄÖ×ßᔊ¹ᜧÁḄᑁâãffägḼAËᦻᓄåæoçḄᓺéãêᨵḼëᐶAËÌÍḄᐳØᳮYᙠ)Î1µḄïᜧðuᡃ8ḄἔÒñᙠᔣó₫õÏö÷øùÌúûüϵ¶ᐳØýἔÒç6ᜧþḄÿ ᡂḄ⍗ᜧᢧᡊ☘ᑮᔊ☘ᵨ"#᪵Ḅ%'(ᐙ*+,Ḅ-./0ᡃ23456Ḅ7⚪ ᨴ:;<=ᐶ.?@AᡃBᙠDE……GHὃJᦻLOurdelegationcheckedintotheZhongXinHotelbythesideoftheRiyuetaiLake.Itwasalready3o'clockearlythenextmorningbythetimeIsawoffthelastgroupofguests.Foralongtime,Icouldnotfallasleep,eventhoughIwascomfortablylyinginthebed.Puttingonmyclothesagain,Igotoffthebedandwalkedtothewindow.Extendingmyeyesintothedistancethroughthewindow,IwasgreetedbytheviewofthesurroundingmountainsandhillsshroudedinlayeredgreennessandthesilveryflickeringofwavesscuttlingacrossthesurfaceofthePool.Lookingatthesolenaturally-formedpicturesquelakeinTaiwan,Ifeltaninfinitetrainofthoughtspassingthroughmymind.......ThecurrentvisittoTaiwanforexchange,briefandcursoryasitis,hasenabledustoseemanyplaces,tovisitoldfriendswhilemakingnewacquaintances.Wheneverpeoplegathertogether,animportanttopicofdiscussionhasbeenhowtheChinesenationcanbecomeprosperousandpowerfulinthe21stcentury.AlthoughtheyoungpeopleontheMainlandandinTaiwanliveindifferentsocialcontexts environments/milieus,withtheirindividuallydifferentexperiencesoflife,intheinnermostrecessesoftheirheartsarewroughtanindeliblemarkbythefinetraditionsoftheChineseculture.TheyallcherishthesameidealtorejuvenatetheChinesenation They
5sharethesameidealtorejuvenatetheChinesenation).Inthisgreatepochattheturnofthecentury,ourmotherlandisdevelopingtowardgreaterprosperityandpowerfulness.PeopleacrosstheTaiwanStraitsareboundtostrengthentheirexchangesandwillmutuallypromotetheearliestpossibleachievementofthegreatcauseofreunificationofthemotherland.Thepreciousopportunitiesandthetremendouschallengesattheturnofthecenturyhavepushedtheyoungpeopletotheforeground(forefront)ofthehistoricalarena(stage).Atthistransitionalphasebetweenthetwomillennia,inwhatwaytheyounggenerationshouldembracetheforthcomingnewcenturyrepletewithhopesisaquestiontowhichwehavetoseekananswer.IntheRiyuetaiLake,thewavesacrossthelakesurfacehavebynowallvanished.Envelopedinuttertranquility,theLakehasjoinedmeindeepthoughts.......
6(Oᦻ)IagreetosomeextentwithmyimaginaryEnglishreader.Americanliteraryhistoriansareperhapspronetoviewtheirownnationalscenetoonarrowly,mistakingprominenceforuniqueness.Theydoover-phrasetheirownliterature,orcertainlyitsminorfigures.AndAmericansdoswingfromaggressiveoverphraseoftheirliteraturetoanequallyunfortunate,imitativedeference.Butthen,theEnglishthemselvesaresomewhatinsularintheirliteraryappraisals.Moreover,infieldswheretheyarenotpre-eminent-e.g.inpaintingandmusic-theytooalternatebetweenboastingofnativeproductsandcopyingthoseoftheContinent.HowmanyEnglishpaintingstrytolookasthoughtheyweredoneinParis;howmanytimeshavewereadinarticlesthattheyreallyrepresentan"Englishtradition"afterall.TospeakofAmericanliterature,then,isnottoassertthatitiscompletelyunlikethatofEurope.Broadlyspeaking,AmericaandEuropehavekeptstep.Atanygivenmomentthetravelercouldfindexamplesinbothofthesamearchitecture,thesamestylesindress,thesamebooksontheshelves.IdeashavecrossedtheAtlanticasfreelyasmenandmerchandise,thoughsometimesmoreslowly.WhenIrefertoAmericanhabit,thoughts,etc.,Iintendsomesortofqualificationtoprecedetheword,forfrequentlythedifferencebetweenAmericaandEurope(especiallyEngland)willbeoneofdegree,sometimesonlyofasmalldegree.Theamountofdivergenceisasubtleaffair,liabletoperplextheEnglishmanwhenhelooksatAmerica.Heislookingatacountrywhichinimportantsensesgrewoutofhisown,whichinseveralwaysstillresembleshisown-andwhichisyetaforeigncountry.Thereareoddoverlappingsandabruptunfamiliarities;kinshipyieldstoasuddenalienation,aswhenwehailapersonacrossthestreet,onlytodiscoverfromhisblankresponsethatwehavemistakenastrangerforafriend.
7GHὃJᦻLᙠQRSTU.ᡃVBᡃWᎷYZḄ[\]ὅḄ_`a\ᦻbcᡈefghᑖj◢ᙢmnᐸp\ᦻq.rᓩ℉uvwᱯy2z{|ᵨh}Ḅ~ᩭᐸp\ᦻb..ᐸ⌕vcy2|/᪵.a\z{|.⌕#ᕬᕬᙢᜧᾖᐸᦻb.⌕#ḼB᪵=ḄḄ⚔¡hᩭ¢.[\£¤ᙠᐸᦻb¦Z§¨©ᨵ«j◢¬.ᙠy2®¯U°⊤²Ḅ⚞´--¶¸¹Aº».y2§|.=0ᔿᗲy2p\Ḅv¾.¿0ᜧᾖÀ?ÁÂᜧ▮Ḅv¾ᨵ}Ä[\¸¹ÅÆmUÇ?@0ᙠÈÉᡂḄÊᡃ2Ëᨵ}ÌᙠᦻÍZ]ᑮÎ2ÏÐ⊤ḼR"[\ḄÒÓ"ᕖÕW#.⌕Ö×a\ᦻb.᎔®ÙÚÛÜÝ.ÎAÁÂᦻbᐰᯠᜧàáâãäÝ.a\AÁÂåBæç.èéêᙠëìíᱯḄîï.ðὅᙠñᙢᙳóôṣB᪵Ḅö÷{¶.àBøḄù⛲.ûüUàBḄûýᙠᜧþÿ ᕒᱥᩭ᪵ᵫᨵᶍᡃ!"#$Ḅ&'ஹ)ᭆ+ᡃ,-ᙠ""#$Ḅ"012345678▲:;<=">?ᐸAB"C3DḄEFGAHI6ḄEFJKLMᨵOOGAPQᐸPḄRHIEFJKEFḄSTAU