小提琴演奏的发音研究.pdf

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1、摘要在小提琴演奏中，发音是指演奏者通过身体各部分的合理调节与配合，对琴与弓进行操作，使弓对弦进行物理振动而获得的声音。其中，小提琴的物理构造决定了演奏姿势，正确的演奏姿势为技术发展提供了前提条件。然而，好的声音不仅仅以左右手技巧技术的掌握就能获得，演奏时的状态和对音乐的正确理解也是演奏出好的声音的关键技术所在，应不断提高自身的音乐修养以提高小提琴演奏的音色。本文以小提琴演奏的技术为切口，探讨小提琴演奏的发音与其之间的相互作用和所能产生的影响，并通过笔者自身的演奏体会和经验对怎样演奏出好的声音进行综合论

2、述。关键词：小提琴；发音；演奏姿势；演奏状态；演奏技巧；音乐修养；AbstractThesoundofvioliniscomefromtheviolinplayerwho’Smakingthestringtovibratethroughthebow．Thepostureofplayingviolinisbasedonthestructureoftheinstrument．Meanwhilethecorrectposturecanhelptheviolinplayertoobtainthebettert

3、echniqueofplaying．TomakeabeRersound，notonlybasedontheskillfultechniqueoftheviolinplayer,butalsobasedonhowtoadjustthebreathingwhenyouplay,andthewayyouunderstandthemusic．Weshouldcontinuedlyraiseourmusicself-cultivationinalongtimeinordertogettheimprovement

4、ofthesoundofplayingviolin．Withtheviewoftechniqueofplayingviolin，thisthesisattemptstoanalysistherelationshipandfunctionofhowtoobtainingabettersoundoftheviolinandthetechniqueofviolinplaying，and，italsosharetheauthorsexperiencesinplaying，toexplainhowtohavea

5、betterviolinsound．Keyword：violin；thesoundofviolin，theposture，thestatement，theskills，musicself-cultivation2目录绪{仑···························································-·········1第一章小提琴发音的物质载体⋯⋯⋯⋯⋯⋯⋯⋯⋯．．4第一节小提琴与琴弓的构造及发音原理⋯⋯⋯⋯⋯⋯⋯⋯4一、小提琴的构造及发音原理········

6、································4二、琴弓的构造及发音原理··········································6第二节小提琴琴弦的振动与发音原理⋯⋯⋯⋯⋯⋯⋯⋯··6第二章小提琴的演奏姿势与发音⋯⋯⋯⋯⋯⋯⋯⋯··7第一节左手持琴的姿势⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯·7一、持琴的方向····················································7二、持琴的位置·····················

7、·······························7三、左手的手型····················································8第二节右手持弓的姿势⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯·9一、右手手型······················································9二、运用琴弓······················································10第三节演奏姿势与发音⋯⋯⋯

8、⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯11一、站姿··························································11二、坐姿···························································12第三章小提琴的演奏状态与发音⋯⋯⋯⋯⋯⋯⋯⋯⋯12第一节演奏者的呼吸状态与发音⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．12一、呼吸状态与发音的关系······················