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1、.....AnalysisofOdeonaGrecianUrnÏ£À°¹ÅÎÌËÌ.txtÈËÓÀÔ¶²»ÖªµÀËÄĴβ»¾ÒâµÄ¸úÄã˵ÁËÔÙ¼ûÖ®ºó¾ÍÕæµÄÔÙÒ²²»¼ûÁË¡£Ò»·ÖÖÓÓж೤£¿ÕâÒª¿´ÄãÊǶ×ÔÚ²ÞËùÀïÃ棬»¹ÊǵÈÔÚ²ÞËùÍâÃæ¡¡OdeonaGrecianUrnNotesCompiledbyMichaelJ.Cummings...?2005TypeofWork."OdeonaGrecianUrn"isaroma
2、nticode,adignifiedbuthighlylyrical(emotional)poeminwhichtheauthorspeakstoapersonorthingabsentorpresent.Inthisfamousode,Keatsaddressestheurnandtheimagesonit.Theromanticodewasatthepinnacleofitspopularityinthe19thCentury.Itwastheresultofanauthor¡¯sdeepme
3、ditationonthepersonorobject.TheromanticodeevolvedfromtheancientGreekode,writteninaserioustonetocelebrateaneventortopraiseanindividual.TheGreekodewasintendedtobesungbyachorusorbyonepersontotheaccompanimentofmusicalinstruments.TheodesoftheGreekpoetPinda
4、r(circa518-438B.C.)frequentlyextolledathleteswhoparticipatedinathleticgamesatOlympus,Delphi,theIsthmusofCorinth,andNemea.Bacchylides,acontemporaryofPindar,alsowroteodespraisingathletes.TheRomanpoetsHorace(65-8B.C.)andCatullus(84-54B.C.)wroteodesbasedo
5、ntheGreekmodel,buttheirodeswerenotintendedtobesung.Inthe19thCentury,EnglishromanticpoetswroteodesthatretainedtheserioustoneoftheGreekode.However,liketheRomanpoets,theydidnotwriteodestobesung.UnliketheRomanpoets,though,theauthorsof19thCenturyromanticod
6、esgenerallyweremoreemotionalintheirwriting.Theauthorofatypicalromanticodefocusedonascene,pondereditsmeaning,andpresentedahighlypersonalreactiontoitthatincludedaspecialinsightattheendofthepoem(liketheclosinglinesof¡°OdeonaGrecianUrn¡±).WritingandPublic
7、ationDates"OdeonaGrecianUrn"waswritteninthespringof1819andpublishedlaterthatyearinAnnalsoftheFineArts,whichfocusedonarchitecture,sculpture,andpaintingbutsometimespublishedpoemsandessayswiththemesrelatedtothearts.StructureandMeter"OdeonaGrecianUrn"cons
8、istsoffivestanzasthatpresentascene,describeandcommentonwhatitshows,andofferageneraltruththatthesceneteachesapersonanalyzingthescene.Eachstanzahastenlineswritteniniambicpentameter,apatternofrhythm(meter)thatassignstensyllablestoeachline.Thefirs
