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时间:2019-07-10
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1、3ModernismandModernismandPostmodernismandrzejgasiorekandpeterboxallDownloadedfromThischapterdealswithworkpublishedinthefieldofmodernismandpostmodernismin2006andisdividedintotwosections:1.Modernism;2.Postmodernism.ywcct.oxfordjournals.org1.ModernismIntheco
2、urseofthelastthreeyears,ourreadingofpublishedworkonmodernismandpostmodernismhasthrownupvariousrecurringissues.Itwouldbeexaggeratingthecasetosuggestthatthereisahomogeneityofconcernshere,orthatsomekindofcritical‘dominant’hasemergedduringthisshortperiod,but
3、it’sclearthatcertainpreoccupationsandmethodolo-atSichuanUniversityonOctober18,2010gical/theoreticalapproacheshavegreatercurrencythanothers.Inthis,ourfinalyearofreviewingtheselinkedresearchfields,wewantnotonlytofocusontheyear’sworkin2006butalsotohighlightwh
4、atseemtoustohavebeenthekeyover-ridingconcernstohaveemergedduringthelastthreeyears.Itgoeswithoutsayingthatourremarksaren’tintendedtobedefinitive;wemakenopretencetohavecoveredeverythingthat’sbeenpublished(andofcourseitshouldbenotedthattheyear’sworkcoversmon
5、ographs,notarticlesinacademicjournals)butwehopetohaveidentifiedatleastsomeofthemostabsorbingtrends.Tworeallyobviousfeaturesofrecentresearchinthefieldofmodernismstandout:thefirstisitsconcernwithmaterialpractices;thesecondisitscommitmenttoseeingmodernismaspar
6、tofawidediscursivefield.Thesetwopreoccupationsfrequentlygotogetherandinformeachother.Thedaysinwhichmodernismwasviewedprimarilyinaestheticterms(thelegacyoftheNewCriticsandScrutineersloominglarge)reallyarelonggone.Now,everybodyissuper-keentoshowhowmuchtheyh
7、avelearnedfromculturalstudies,theNewHistoricism,andpost-structuralism(s),thoughit’sthefirsttwooftheseapproachesthathavehadfarthegreatestinfluence.ThismeansYearsWorkinCriticalandCulturalTheory,16ßTheEnglishAssociation(2008)Allrightsreserved.Forpermissions,p
8、leaseemail:journals.permissions@oxfordjournals.orgdoi:10.1093/ywcct/mbn002ModernismandPostmodernism
9、51thatthereisanattentivenesstothehistoryofthebook;totheinstitutionsthroughwhichmodernismwasdisseminatedandmediated;tothero
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