【高彦硕 编】女性与中日韩三国的儒家文化 Women and Confucian cultures in premodern China, Korea, and Japan

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1、WomenandConfucianCulturesinPremodernChina,Korea,andJapanWomenandConfucianCulturesinPremodernChina,Korea,andJapanEDITEDBYDorothyKo,JaHyunKimHaboush,andJoanR.PiggottUNIVERSITYOFCALIFORNIAPRESSBerkeleyLosAngelesLondonUniversityofCaliforniaPressBerkeleyandLosAngeles,CaliforniaUniversityofCaliforniaPr

2、ess,Ltd.London,England©bytheRegentsoftheUniversityofCaliforniaLibraryofCongressCataloging-in-PublicationDataWomenandConfucianculturesinpremodernChina,Korea,andJapan/editedbyDorothyKo,JaHyunKimHaboush,andJoanR.Piggott.p.cm.Includesbibliographicalreferencesandindex.ISBN---(cloth:alk.p

3、aper)—ISBN---(pbk.:alk.paper).Women—China—History..Women—Japan—History..Women—Korea—History..Confucianism—Socialaspects.I.Ko,Dorothy.II.Haboush,JaHyunKim.III.Piggott,JoanR.HQ.W.—dcManufacturedintheUnitedStatesofAmericaThe

4、paperusedinthispublicationmeetstheminimumrequirementsofANSI/NISOZ.-(R)(PermanenceofPaper).Aviixixiii,,xivIntroduction/..ThePatriarchalFamilyParadigminEigh

5、th-CenturyJapanHirokoSekiguchi.TheLastClassicalFemaleSovereign:Köken-ShötokuTennöJoanR.Piggott.RepresentationofFemalesinTwelfth-CenturyKoreanHistoriographyHai-soonLee.ThePresenceandAbsenceofFemaleMusiciansandMusicinChinaJosephS.C.Lam..WomenandtheTransm

6、issionofConfucianCultureinSongChinaJianZang.PropagatingFemaleVirtuesinChosónKoreaMartinaDeuchlervi.StateIndoctrinationofFilialPietyinTokugawaJapan:SonsandDaughtersintheOfficialRecordsofFilialPietyNorikoSugano..NormsandTextsforWomen’sEducationinTok

7、ugawaJapanMarthaC.Tocco.CompetingClaimsonWomanlyVirtueinLateImperialChinaFangqinDuandSusanMann..DisciplineandTransformation:BodyandPracticeintheLivesofDa