零起点学篆刻

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1、编写委员会成员简介顾问：赵熊（中国书法家协会篆刻委员会委员、终南印社社长）张哲（中国书法家协会会员、西泠印社社员）黄大同（广州军区老干部大学篆书班主讲）蔺云鹤（中国书法家协会会员、终南印社社员）主编：吕剑一（百竹园篆刻社第四届理事会名誉理事长、艺术指导）编委：陈嘉雨（百竹园篆刻社第四届理事会办公室主任）林素芬（百竹园篆刻社第五届理事会理事长）陈子涵（百竹园篆刻社第五届理事会副理事长）赖增辉（百竹园篆刻社第五届理事会外联部部长）钟雅婷（百竹园篆刻社第五届理事会财务部部长）郑晨（百竹园篆刻社第五届理事会办公室主任）姚玄琦（江西理工大学建筑与资源工程系201

2、2级工程造价2班）王文静（日照职业技术学院篆刻协会第四届理事会财务部部长）校对：贺志香（百竹园篆刻社第四届理事会理事长）张忆茹（百竹园篆刻社第四届理事会副理事长）郭梦瑶（百竹园篆刻社第五届理事会执行理事长）目录序《寄情方寸之间，挥洒人生境界》····································2百竹园篆刻社简介···················································3入门问答·························································

3、··4实用印章与篆刻艺术·················································6篆刻艺术的组成要素·················································7篆刻作品的分类·················-50-····································9篆刻所用工具······················································11刻制过程···························

4、·······························14专题一：印章的发展历史············································20专题二：篆法概论··················································23专题三：篆书概说··················································25专题四：章法两大规则··············································32专题五：黄大同先生作品

5、批改········································34专题六：论印文选··················································35临摹作业及技巧解析················································42临摹范本··························································44跋《我的篆刻“缘”》··········································

6、····48序寄情方寸之间，挥洒人生境界艺术来源于生活而高于生活。汉字艺术从劳作中被艺术家发现，经过加工、提炼上升为艺术，之后历经生活实践的检验，再次升华为艺术。循环往复，不断锤炼，提升，书法就是这样的艺术。从生活实践中来，又回到实践中去得以检验。从实用到艺术，从艺术又回到实用之中，没有生活就没有艺术，没有艺术生活无法提高。如果不经历这样的检验，艺术与生活就会自然脱节，就会自然消失，这大概就是艺术与生活的关系。-50-书法从诞生的那一刻起，不但贴近生活，而且与生活融为一体，书法离不开生活，生活离不开书法艺术。这就是书法艺术的生命力之所在，是书法自身艺术

7、魅力生命力的综合体现。篆刻，这支书法艺术中的奇葩，尤为体现了这一艺术原则。从甲骨、金文、石鼓文，到小篆，隶书、魏碑……一路与生活相伴着走来，又回到母体大、小篆之中。虽然，篆书在相识，相认方面存在着一定的难度，但是，这是艺术本身所作出的选择，是艺术回归之后的新生。世界上只有篆刻艺术做到了这一点。书法，即书中作法，利用汉字结构的有限空间，去创作出无限的意境之美。篆刻艺，就是在方寸之间，毫厘之内展示的一种艺术。他需要艺术家才华卓著的深厚底蕴，匠心独运的敏捷才思，加之长期修炼的艺术感悟相结合，在有限的空间里，利用朱与白相间展现的一种神韵美的艺术。艺术选择了书法

8、，是书法自身存在着较高的艺术情愫所决定。先祖仓颉在造字的时候，利用了艺术审美、智慧思维，将物体