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CinemaAppreciatingTheEnglishPatientBYGROUP1 BASICINFORMATIONIN1996,thefilmwasthewinnerof9Oscars,whichbringshugefameforitself.AdaptedfromMichaelOndaatj(迈克尔•翁达杰）’snovelofthesametitle.Extramaritallove(婚外恋）Anepicoflove BACKGROUNDThestorybeginsfrom1940s,whentheWWⅡisgonnabreakout.Amovinglovestoryhappenedunderthisbigbackground. LOVETRIANGLEAlmasy（艾玛殊）GEOFFERY（杰夫）KATHARINE（凯瑟琳）COUPLESFRIENDSLOVERS Andherecomestheclimaxofthefilm. So,wheredoesthestorygoes?What’sAlmasy’sdestiny?Thankyou! CinemaAppreciatingTheLoveStoryⅡJ.Y.Liang LOVESTORYⅡHANA&KIPLESSTOLD10TIMES10TURNINGPOINTS Meetforthe1sttime Meetforthe2ndtime Meetforthe3rdtime Meetforthe4thtime Meetforthe5thtime Meetforthe6thtime Meetforthe7thtime Meetforthe8thtime Meetforthe9thtime HANA：Iwillalwaysgobacktothatchurch，lookatmypaintings.KIP:Iwillalwaysgobacktothatchurch.HANA：Soonedaywe`llmeet.Meetforthe10thtime CharactersAppreciationNAME:XiongWeiFROM:Harbor,coastalandoffshoreengineering ThecharactersFirst,thestoryisatragedy.AlmasywasaHungariancount,hewasamemberofRoyalGeographicalSociety.Theexplorationshowsthathewasaprofessionalandseriousman.KatherinewasanEnglish.Shewasnobleandverybeautiful. Inthemovie,whentheexpeditionteamsataroundthefire,Katherinetoldalittlestory.Itwasthisstory,AlmasywasfascinatedbyKatherine. Afterthat,hetrackedherinthemarketandcalledherKinhisnovel.KatherinewasalsoslowlyfallinlovewithAlmasy.Buttheywereconfrontedwiththelove. Thereissuchasceneinthemovie,Shewassmoking,watchingthestarsandsaid:Thereissountidy,Iwastryingtorearrangethem.Infact,thisisahintofhercomplexfeelingsofthelove.Becauseshelovedherhusbandandtheywerechildhoodsweethearts. WhenKatherineinvitedhimtoherroom,Almasysaid:Mrs.Clifton.Wecanseethathehadalwaysadheretothelastandlittlereason. Hedeeplylovedthiswomaninfrontofhim,butheutteredthisstatement.MaybehewasjealousofJeff,maybethestatementwasarationalresponse. However,WhenAlmasydeterminedhehadtoloveKatherinedeeply,Katherinecouldnotendurethecondemnationofherheartanddecidednevertoseehimforever. Atthismoment,Almasyburstintotearswhenheheardthis,hehadbeenputKatherineashiswife. Hisbelovedwomanwasincriticalcondition.Hismoodwasveryurgent.Whenallthemethodsforhelpwerefailed,AlmasywasforcedtogivethemaptoGermansinexchangefortheplane.So,itisunderstandableforusthatthelovereplacedthenationandbecamethefirst responsibility. TheEnglishpatientwasnotthemostpatheticman.Afterhewasrescued,heappreciatedthemostkind-heartedsideandthewarmthofhumanity.Themostpainfulmomentwastouchingtherigidbodyofhislover.So,hismostpainwasnotphysicalillness,butinheart. Inthemovie,theEnglishpatientwastakencareofbyanursenamedHanna.Hannawasakind-heartedwoman.Shewasnotonlyloyaltohercareer,butalsoaseriouswomaninfeelings. Whenshelearnedthenewsofherfiance'sdeathinawarcamp,Hannaburstintotearslyingonthefloor. Hannawasridingbicyclesenergeticallytofindbelovedkip,shewasafraidtoloseherfinalanchorageoflove.ThesetwopartsshowthatHannawasaseriouswomaninfeelings. HannagavetheEnglishpatientwithmeticulouscare,thisreflectsherwarm,kind-heartedsides. Thispartindicatesthatshewouldliketoforgetthesadpastandherpainbroughtbythewar. However,thearrivalofthespy,madeHannarecalledthesadmemories.Shewouldliketogetridoftheemptinessanddesolationbroughtbywar,andpursuitofanewlife. Inaddition,Hannalovedkip,butkiphadhisownBombtask,hemightbeonthebattlefieldatanytime.Hannadidnotwanttoloseloveragain,soshegiveupthelove.ThisisHannah'sintellectual. Finally,Hannastartedaneweagerlife. Caravaggioisalsoanoteworthycharacterinthemovie.Thereisnodirectrelationshipbetweenhimandthehero,butCaravaggioisthenarrator,thedirectorborrowedhisperspectivetorevealahiddenstorybehindthescreenlittlebylittle. CULTUREMADEBY:LIDI Thefilmisbeautifullyphotographed,issetinNorthernAfrica,butduringthesecondworldwar.Culture Inthisfilm,itisfullofmisunderstandings.Thebetrayofcountryandthelovearethebasicmisunderstanding.EnglishMungarianGerman Question:WhydidthestoryhappenedintheSahara?Thedesertinthisfilm:standsforthemeaningofdreariness;standsforgritty.Italsoindicatesdismalending. “Idon’twanttodieinthedesert.”Thesentencereflectspeopleseekafterthetrueloveandthefreedomduringthesecondworldwar. Cartographyinthecaveofswimmersarisingjustasthefilmopens. Wediecontainingarichnessofloversandtribes,tasteswehaveswallowed,bodieswehaveplungedintoandswumupasifriversofwisdom,charcaterswehaveclimbedintoasiftrees,fearswehavehiddeninasifcaves.IwishforallthistobemarkedonmybodywhenIamdead.Ibelieveinsuchcartography——tobemarkedbynature,notjusttolabelourselvesonamaplikethenamesofrichmenandwomenonbuildings.Wearecommunalhistories,communalbooks.Wearenotownedormonogamousinourtasteorexperience.AllIdesiredwastowalkuponsuchanearththathadnomaps. —IXTheCaveofSwimmers《TheEnglishPatient》 我们死时带走情人和部落的富足，我们所尝的味道，我们所寄托的躯体，我们所掌握的智慧，我们所形成的性格，我们所隐藏的恐惧。我希望在我死的时候，身上会被打上这样的记号，我相信这样的绘图——烙上自然的印迹，而不仅仅在图上标出我们自己，就像有钱男女的名字被雕刻在高楼大厦上一般。我们是共有的历史，共有的书籍。在我们的品味或经历中，我们并非被占有，或施行一夫一妻制。我只渴求踏上一个没有地图的地球。 ThankYou! MEANOFEXPRESSIONMADEBY:WANGZHI MEANSOFEXPRESSIONOFFILMThreemainmethodsofperformance：VisualelementsHearingelementsMovementelements VisualelementsDynamicscreen（画面）Thedesertmakealonelyatmosphere,resultingaperiodofcataboliclove.Scene（镜头）Almasy’sreallifeandhispastareoneofthescenes. HearingelementsDialogue（对白）Thedialoguebetweenkipandhanawhentheyseparatetellsusthattheyhavenoalternative.Music（音乐）Afterthewarended,peoplereveledintherain.Thech-eerfulmelodyexpressedtheirgoodmood.Sound（音响）Birdcallresoundedfromthemonastery,itimplyedthatt-hisplacewasquietwhichwasfarawayfromthewar. MovementelementsRhythm（节奏）Thisfilmisoneoflovetragedy,whichtakethewarfareanddesertasabackground.Therefor,therhythmoft-hismoiveisnervousanddistressed.Montage（蒙太奇）whenAlmasyholdKatharinewhowasseriousinjuryedtothecaves,camerasuddenlyturntothethimble.Thatwo-uldmakeaudienceimmediatelyknowthatshestilllovedAlmasy. LanguageappreciationName:ChangXianpingFrom:physics PreambleAsthefilmdialogueisrealisticfeatures.Therealismofthedialoguecontainsidentity,nationality,socialandhistoricalstatusoftheelements.Peopleindifferentclass,occupation,gender,age,theirdialoguesaredifferent. Languagefeatures1.EasytoundestandF.g:safejourneyortravelsafe2.VividtoundestandF.g:I’mdroppingoff.Icanstilltasteyou,withyourtasteinmymouth.3.CharacterF.g:Hateownershipandbeingowned Wonderfuldialogues1Betrayalsinwararechildlikecomparedwithourbetrayalsduringpeace.Newloversarenervousandtender,butsmasheverything-fortheheartisanorganoffire. Wonderfuldialogues2MydarlingI’mwaitingforyou.Howlongisadayinthedark?Oraweek?ThefireisgonenowandI’mhorriblecold.Ireallyoughttodragmyselfoutsidebutthenthere’dbethesun.I’mafraidIwastethelightonthepaintingsandonwritingthesewords.Wedie.Wedierichwithloversandtribestasteswehaveswallowedbodieswehaveenteredandswumuplikerivers.Fearswe’vehiddeninlikethiswretchedcave.Iwantallthismarkedonmybody.We’vetherealcountries.Nottheboundariesdrawonmapsthenamesofpowerfulmen.Iknowyou’llcomeandcarrymeoutintothepalaceofwinds.That’sallI’vewantedtowalkinsuchaplacewithyouwithfriends.AnEarthwithoutmaps.Thelamp’sgoneoutandI’mwritinginthedarkness.着你。黑暗中的亲爱的，我在等一天有多长呢，或者，黑暗中的一个礼拜呢？这会儿火已经熄了，我冷得要命。我真应该把我自己拽到外面去，不过，也得外面有有太阳才行。恐怕我现在是在浪费那亮光绘图，浪费那亮光写这些东西。我们会死。但我们死的好富有。我们拥有着自己的爱人和部类；拥有我们曾经吞咽过的美味；拥有我们进入的身躯，我们在其中就像在河里游啊游。我们把恐惧埋藏在这里面，像这个凄凉的洞穴。我要把所有的这一切，都铭刻在我的身躯上。我们会有着真正的国度，可不是地图上勾画的边界，或者强权者的名字所代表的那种。我知道你会回来，把我带出去，带我走进风的宫殿。在这样的地方和你，和朋友们一起漫步，那就是我所想要的一切了。一个没有地图的地球。灯光也熄灭了，我现在是在黑暗中写的。 Thankyou
