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ID:37500011
大小:818.50 KB
页数:28页
时间:2019-05-12
《美国文学20th poetry》由会员上传分享,免费在线阅读,更多相关内容在教育资源-天天文库。
1、20thPoetry1.1PoliticalBackground:WorldWarⅠThepeopleweredisappointedwiththesociety.nothinghadchanged.Theheroism,patriotism,andthezealfordemocracyhadprovedtobefalseandtastelesstoagenerationExcitementandenthusiasmsubsidedtomakewayfordisillusionment1.2EconomicBackgrou
2、nd:1.2.1rich:Massproduction,massconsumption,andmassleisurebecameessentialtoeconomicandculturallifeandweresoontodominatethenation'scultureandinstitutions.Oldmoralcodeswerebreakingdown.Oldmodesofperceptionwerequestioned.1.2.2GreatDepression:1929-1930sCulturalBackgro
3、und1.Darwin'stheoriesofevolution.2.Nietzsche(1844-1900)Godisdead.Withoutfaithmancouldnolongerkeephisfeelingandthoughtwhole;withoutfaithmannolongerfeltsecureandhappyandhopefulinhisworld.Hencethefeelingofgloomanddespair.3BertrandRussell(1872-1970)Inhis"AFreeMan'sWor
4、ship,"theuniversehadbecomepurposelessandindifferenttohumanwishes.4FreudThetheoryunconsciousness.Conclusionlifewasameaninglessandfutileaffairandmanfelthomeless,estranged,andhauntedbyasenseofdoomLostgenerationJazzAgeModernPoetryForm:1.colloquialandeconomiclanguage2.
5、freeverse(norhymerhythmmetersmetrics韵律学,作诗法)3.Therepresentivepoets:T.S.EliotandEzraPondWilliamcarolsWilliamscontent(theme)alamentation(哀悼)overthegeneralmoraldeclineinthemodernworld.thelossofacoherentmoralworldorder.Spiritualwasteland,Westerncivilizationhavedecline
6、d.Patriotism-----corruption;goodmorality---badmoral;roseandnightingale----noisycarandplane;romanticlove----sexualityCubism立体派AnonobjectiveschoolofpaintingandsculpturedevelopedinParisintheearly20thcentury,characterizedbythereductionandfragmentationofnaturalformsint
7、oabstract,oftengeometric几何的,structuresusuallyrendered着色asasetofdiscreteplanes.立体派:20世纪初出现于巴黎的一个绘画和雕刻抽象流派,其特征是把各种自然形态简化并分裂成抽象的、通常为几何形状的结构,并常被描绘成一系列互不相联的平面DadaismEuropeanartisticandliterarymovement(1916-1923)thatflouted轻视conventionalaestheticandculturalvaluesbyprodu
8、cingworksmarkedbynonsense,travesty滑稽的转写,andincongruity不调和的.达达主义运动:欧洲文学艺术界的运动(1916-1923年),通过随意涂写、嘲讽、不和谐的作品,来藐视传统的艺术和文化价值Symbolism:Thepracticeofrepresenti
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