the cambridge companion to postmodernism(1)外语英文电子书

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1、ThispageintentionallyleftblankTheCambridgeCompaniontoPostmodernismTheCambridgeCompaniontoPostmodernismoffersacomprehensiveintro-ductiontopostmodernism.TheCompanionexaminesthedifferentaspectsofpostmodernistthoughtandculturethathavehadasignificantimpactoncon-temporaryculturalproductionandthinking.

2、Topicsdiscussedbyexpertsinthefieldincludepostmodernism’srelationtomodernity,anditssignificanceandrelevancetoliterature,film,law,philosophy,architecture,religion,andmodernculturalstudies.Thevolumealsoincludesausefulguidetofurtherreadingandachronology.Thisisanessentialaidforstudentsandteachersfromar

3、angeofdisciplinesinterestedinpostmodernisminallitsincarnations.Accessibleandcomprehensive,thisCompanionaddressesthemanyissuessurroundingthiselusive,enigmatic,andoftencontroversialtopic.THECAMBRIDGECOMPANIONTOPOSTMODERNISMEDITEDBYSTEVENCONNORCambridge,NewYork,Melbourne,Ma

4、drid,CapeTown,Singapore,SãoPauloCambridgeUniversityPressTheEdinburghBuilding,Cambridge,UKPublishedintheUnitedStatesofAmericabyCambridgeUniversityPress,NewYorkwww.cambridge.orgInformationonthistitle:www.cambridge.org/9780521640527©CambridgeUniversityPress2004Thispublicationisincopyright.Su

5、bjecttostatutoryexceptionandtotheprovisionofrelevantcollectivelicensingagreements,noreproductionofanypartmaytakeplacewithoutthewrittenpermissionofCambridgeUniversityPress.Firstpublishedinprintformat2004-----eBook(AdobeReader)----eBook(AdobeReader)---

6、--hardback----hardback-----paperback----paperbackCambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyofsforexternalorthird-partyinternetwebsitesreferredtointhispublication,anddoesnotguaranteethatanycontentonsuchweb

7、sitesis,orwillremain,accurateorappropriate.CONTENTSNotesoncontributorspageviiChronologyxIntroduction1stevenconnor1Postmodernismandphilosophy20paulsheehan2Postmodernismandfilm43catherineconstable3Postmodernismandliterature62stevenco