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1、BooksbyRolandBarthesRolandBarthesABarthesReaderCameraLucidaCriticalEssaysTheEiffelTowerandOtherMythologiesThePleasureElementsofSemiologyTheEmpireofSignsTheFashionSystemoftheTextTheGrainoftheVoiceImage-Music-TextALover'sDiscourseMicheletMythologiesNewCriticalEssaysTranslatedby
2、RichardMillerOnRacineThePleasureoftheTextWithaNoteontheTextTheResponsibilityofFormsbyRichardHowardRolandBarthesTheRustleofLanguageSade/Fourier/LoyolaTheSemioticChallengeS/ZWritingDegreeZeroHILLANDWANG'NEWYORKAdirisionofFarrar,StrausandGirouxANoteontheTextTranslationandNoteont
3、heText©1975byFarrar.StrausandGiroux,Inc.TheFrenchhaveadistinguishingadvantagewhichOriginallypublishedinFrenchasLePlaisirdutexte©1973byEditionsduSeuil,ParisRolandBarthes,aFrenchmanthroughandthrough,hasAllrightsreservedtaken,hasused,hasexploitedinhisnewbookaboutwhatFirstAmerica
4、nedition,1975wedowhenweenjoyatext;theFrenchhaveavocabularyPublishedinCanadabyHarperCollinsCanadaLtdPrintedintheUnitedStatesofAmericaoferoticism,anamorousdiscoursewhichsmellsneitherofDesignedbyKarenWattthelaboratorynorofthesewer,whichjust-attentively,Twenty-thirdprinting,1998s
5、crupulously-putsthefacts.InEnglish,wehaveeitherLibraryofCongressCataloging-in-PublicationDatathecoarseortheclinical,andbytraditionourwordsforBanht!s,Roland.ourpleasures,evenfortheintimatepartsofourbodiesThepleasureofthetext.TranslationofLeplaisirdutexte.wherewemaytakethoseple
6、asures,comeawkwardlyI.Literature-Aesthetics.I.Title.whentheycomeatall.Soth.ltifwewishtospeakofthePN45·B2813'975801'.9375-4904kindofpleasurewetake-thesupremepleasure,say,associatedwithsexualityatitsmostabruptandruthlesspitch-welackthetermsacknowledgedandallowedinpoliteFrenchut
7、terance;welackjouissanceandjouir,asBarthesusesthemhere.Thenomenclatureofactivepleasurefailsus-thatisthe"matter"SternehadinmindwhenhesaidtheyorderthismattersomuchbetterinFrance.RolandBarthes'stranslator,RichardMiller,hasbeenresourceful,ofcourse,andhehascomeupwiththereadiestpla
8、usibilitybytranslatingjouissance(forthemostpart:Bartheshimselfdeclar
