毕业论文--透过《楢山节考》探究今村昌平“审丑思想”的表现

毕业论文--透过《楢山节考》探究今村昌平“审丑思想”的表现

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时间:2019-07-09

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1、透过《楢山节考》探究今村昌平“审丑思想”的表现目录摘要·····································1Abstract··································2第一章现实状况对电影主题思想的影响················3第一节严肃的社会责任感························3第二节日本新浪潮的影响························4第二章“审丑思想”在镜头语言中的表现···············5第一节沉稳,简约的镜头语言··

2、···················51.构图···································5(1)半明半暗的构图···························5(2)较为拥挤的构图···························62.空镜头··································7透过《楢山节考》探究今村昌平“审丑思想”的表现3.俯拍镜头·································94.隐喻蒙太奇·················

3、··············10(1)充满暗示色彩的动物·······················10(2)人与动物的对比···························11第二节光影的魅力···························111.影调的处理·······························112.影调转变·································12第三章“审丑”道路上的人文关怀··················13第一节孤寂文化···········

4、··················13第二节偷窥心理·····························14透过《楢山节考》探究今村昌平“审丑思想”的表现第三节关注群体·····························151.对底层人民的关怀···························152.对女性的崇拜······························17第四节与小津安二郎及大岛渚的对比·················18结语····························

5、········20参考文献·································21致谢····································22透过《楢山节考》探究今村昌平“审丑思想”的表现摘要电影发展至今,呈现出丰富多彩、变化繁复的发展历程。日本电影以其独特的民族风格及人文内涵,成为东方电影中的一个重要代表,而日本战后电影作为电影发展的黄金时代,逐渐成为学者研究的重点。今村昌平作为日本导演的代表之一,同样也是一个极具个性的人物,在影像处理和题材选择上有着非凡的举动,常用禁忌题材代替传统

6、的和谐主题,他的宗旨便是“我将书写蛆虫,至死方止”。对比同时代的许多导演,今村昌平带给观众的并非美好的意象,他通过自然风景的描绘深入到人物内心的剖析,一步步地揭露人类贪婪的本性。一方面是指今村昌平的影像风格基于平静、朴实、自然;另一方面,今村昌平善于利用空镜头以及自然界繁复奇特的物象作为隐喻。《楢山节考》作为集大成者,向观众很好地展示今村昌平在“审丑”道路上的探索,从他对生命及人性的诠释,让我们领略其深刻的社会反思及人文关怀。关键词:楢山节考视听语言隐喻孤寂文化审丑思想第1页透过《楢山节考》探究今村昌平“审丑思想”的表现

7、AbstractNowadays,theprocessoffilmdevelopmentbecomescolorfulandcompilcatedwithitsuniquenationalstyleandculturalconntation.JapanesefilmhasbecomeanimportantrepresentofeasternfilmandJapan'spost-warmoviesbecomethegoldenageoffilmdevelopmentbecomingthefocusofacademicres

8、earch.AsoneoftherepresenteddirectorsofJapanesefilm,ImamuraShōheiisalsoapersonwithistinctivecharacteristics,healwayshasaspecialmoveonimageprocessingandsubjectch

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