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1、StructuralismandSemioticsWeliveinaworldofsigns,andofsignsaboutsigns.Agrowingawarenessofthissituationinthelastdecadesofthetwentiethcenturybroughtamonu-mentalchangeinperspectiveontheverynatureofreality.Itforcedustorecognisethepossibilitythat‘reality’inheresnotinthingsthemselves,butin
2、therelationshipsweperceivebetweenthings;notinitemsbutinstruc-tures.Inexploringandseekingtofurthertheseideas,criticsturnedtothemethodsofanalysislooselytermed‘structuralism’and‘semiotics’.Theirworkgaverisetoarevolutionincriticaltheory.Thisclassicguidediscussesthenatureanddevelopmento
3、fstructuralismandsemiotics,callingforanewcriticalawarenessofthewaysinwhichwecommunicateanddrawingattentiontotheirimplicationsforoursociety.Publishedin1977asthefirstvolumeintheNewAccentsseries,Structural-ismandSemioticsmadecrucialdebatesincriticaltheoryaccessibletothosewithnopriorkno
4、wledgeofthefield,thusenactingitsownsmallrevolution.Sincethenagenerationofreadershasusedthebookasanentrynotonlyintostructuralismandsemiotics,butintothewiderangeofculturalandcriticaltheoriesunderpinnedbytheseapproaches.StructuralismandSemioticsremainstheclearestintroductiontosomeofthe
5、mostimportanttopicsinmoderncriticaltheory.Anafterwordandfreshsuggestionsforfurtherreadingensurethatthisneweditionwillbecome,likeitspredecessor,theessentialstartingpointforanyonenewtothefield.TerenceHawkesisEmeritusProfessorofEnglishatCardiffUniversity.Heistheauthorofanumberofbookson
6、literarytheoryandonShakespeare,includingThatShakespeherianRag(1986),MeaningbyShakespeare(1992)andShakespeareinthePresent(2002).HeisGeneralEditorofNewAccentsandoftheAccentsonShakespeareseries,alsopublishedbyRoutledge,andwasthefoundingEditorofTextualPractice.INTHESAMESERIESAlternativ
7、eShakespeares1,Ed.JohnDrakakisAlternativeShakespeares2,Ed.TerenceHawkesPost-ColonialShakespeares,Ed.AniaLoombaandMartinOrkinRe-readingEnglish,Ed.PeterWiddowsonRewritingEnglish,JanetBatsleer,TonyDavies,R.O’RoukeandChrisWeedonEnglishandEnglishness,B.DoyleLinguisticsandtheNovel,RogerF
8、owlerLanguageandStyle,E.L.
