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1、POST-COLONIALDRAMAPost-colonialDrama:Theory,practice,politicsisthefirstfull-lengthstudytoexaminehowperformancepracticesintersectwithanddevelopanunderstandingofpost-colonialtheories.Addressingthespecificwaysinwhichperformancehasbeeninstrumentalinresistingthecontinuingeffectsofimperialism,th
2、isstudyconsidershowpost-colonialtheatreactsasanimportantformofculturalcapital.GilbertandTompkins’discussionrangesacrossavarietyofplaysfromAustralia,Africa,Canada,NewZealand,theCaribbean,andotherformercolonialregions.Critiquinganthropologicalapproachestodrama,theycallforaculturallyspecifica
3、pproachtotheanalysisofplaysfrombothWesternandnon-Westernsocieties.Post-colonialDramacombinesarichclusterofpost-colonialandperformancetheorieswithcloseattentiontotheplaytextsthemselves.Itwillbeinvaluablereadingforallstudents,teachers,andtheoristsofdrama.HelenGilbertteachesDramaandTheatrestu
4、diesatTheUniversityofQueensland,Australia,anddirectsexperimentalperformancework.Shehaspublishedanumberofcriticalarticlesonpostcolonialdramaandperformancetheory.JoanneTompkins,formerlyHeadoftheDepartmentofTheatreandDramaatLaTrobeUniversity,Melbourne,nowlecturesinEnglishandDramaandTheatreStu
5、diesatTheUniversityofQueensland.ShehaspublishedworkonAustralian,Canadian,andNewZealandliteratures,andonpost-colonialtheoryanddrama.POST-COLONIALDRAMATheory,practice,politicsHelenGilbertandJoanneTompkinsLondonandNewYorkFirstpublished1996byRoutledge11NewFetterLane,LondonEC4P4EEThiseditionpub
6、lishedintheTaylor&Francise-Library,2002.SimultaneouslypublishedintheUSAandCanadabyRoutledge29West35thStreet,NewYork,NY10001RoutledgeisanInternationalThomsonPublishingcompany©1996GilbertandTompkinsAllrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilizedinanyformorbyanyelectron
7、ic,mechanical,orothermeans,nowknownorhereafterinvented,includingphotocopyingandrecording,orinanyinformationstorageorretrievalsystem,withoutpermissioninwritingfromthepublishers.BritishLibraryCataloguinginPublicationDataAcataloguerecordforthisbookisavailablefrom
