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1、TheProfessionsinContemporaryDramaEditedbyDanielMeyer-DinkgräfeintellectTheProfessionsinContemporaryDramaDanielMeyer-DinkgräfeFirstPublishedinGreatBritaininPaperbackin2003byIntellectBooks,POBox862,BristolBS991DE,UKPublishedinPaperbackinUSAin2003byIntellectLtd,ISBS,5824N.E.Hass
2、aloSt,Portland,Oregon97213-3644,USACopyright©2003IntellectAllrightsreserved.Nopartofthispublicationmaybereproduced,storedinaretrievalsystem,ortransmitted,inanyformorbyanymeans,electronic,mechanical,photocopying,recording,orotherwise,withoutwrittenpermission.CopyEditor:PeterYo
3、ungTypesetting:MacstyleLtd,Scarborough,N.YorkshirePrinting:AntonyRoweLtd,Eastbourne,UKAcataloguerecordforthisbookisavailablefromtheBritishLibraryElectronicISBN1-84150-879-9/ISBN1-84150-047-XThecoverphotographshowsDanielIllsleyasYoungBeckettinDicEdwards'Wittgenstein'sDaughterC
4、ontentsAcknowledgementsivContributorsvIntroduction1DanielMeyer-Dinkgräfe1Bouncer–Teacher–Doctor:GentrificationandtheRoleoftheOutsiderinthePlaysofJohnGodber9JohnBennett2‘AppallingTeachers’:MasculineAuthorityintheClassroominEducatingRitaandOleanna19MichaelMangan3Theatricalityan
5、dMadness:MindingtheMind-doctors37TimShields4CarryonWelfareState:Orton,Nichols,andtheMedicalProfession47PeterBuse5ThePriestCharacter’sSpaceandFunctioninContemporaryBritishandIrishDrama59MáriaKurdi6TheDepictionoftheArtistinDavidStorey’sLifeClass:ThePlayasVisualArt75StephenDiBen
6、edetto7TheArtistasCharacterinContemporaryBritishBio-Plays87DanielMeyer-Dinkgräfe8TheProfessionalArchaeologistandTheAestheticsofCulturalImperialisminTonyHarrison’sTheTrackersofOxyrynchus101AlisonForsyth9WittgensteinandMorality–ThePlaywright’sPurpose115DicEdwardsBibliography133
7、IIIAcknowledgementsMostoftheessaysinthisvolumeareexpandedversionsofpaperspresentedataconferenceonTheProfessionsinContemporaryBritishDrama,organisedbyDanielMeyer-DinkgräfeinconjunctionwiththeCentre(nowInstitute)ofEnglishStudies,partoftheSchoolofAdvancedStudy,UniversityofLondon
8、,onMarch6,1998.ThecontributionsbyMangan,KurdiandForsythwerewrittensp
