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1、ReflectionsonChineseArtHistoryAuthor(s):WenC.FongSource:ProceedingsoftheAmericanPhilosophicalSociety,Vol.142,No.1(Mar.,1998),pp.47-59Publishedby:AmericanPhilosophicalSocietyStableURL:http://www.jstor.org/stable/3152263.Accessed:15/08/201300:48YouruseoftheJSTOR
2、archiveindicatesyouracceptanceoftheTerms&ConditionsofUse,availableat.http://www.jstor.org/page/info/about/policies/terms.jsp.JSTORisanot-for-profitservicethathelpsscholars,researchers,andstudentsdiscover,use,andbuilduponawiderangeofcontentinatrusteddigitalarch
3、ive.Weuseinformationtechnologyandtoolstoincreaseproductivityandfacilitatenewformsofscholarship.FormoreinformationaboutJSTOR,pleasecontactsupport@jstor.org..AmericanPhilosophicalSocietyiscollaboratingwithJSTORtodigitize,preserveandextendaccesstoProceedingsofthe
4、AmericanPhilosophicalSociety.http://www.jstor.orgThiscontentdownloadedfrom202.40.139.167onThu,15Aug201300:48:09AMAllusesubjecttoJSTORTermsandConditionsReflectionsonChineseArtHistory*WENC.FONGEdwardS.SanfordProfessorofArtHistory,PrincetonUniversityConsultativeC
5、hairman,AsianArtDepartment,7heMetropolitanMuseumofArtItisinevitablethatinwritingabouthistoryweshouldmakecomparisonsbetweenChinaandtheWest.ThesearchformodernChina,forexample,hasledhistorianstolookforandtofindinChinesehistory,asfarbackasthelateNorthernSunginthel
6、ateeleventhcentury,suchearlymodernWesternsocioeconomictrendsasthegrowthofacom-modityeconomy,thecommercializationofstaterevenue,thedevelopmentofalaborforce,andchangesinmethodsofagriculturalproduction.Inthefieldofarthistory,comparisonshavealsobeendrawn.Oneisthed
7、isplacementinpaintingofmimeticrepresentationbytheexpressiveandtheabstract,atwentieth-centuryWesternphenomenonthatwasfirstnotedinChinesecriticalwritingsinthelateeleventhcentury.1NotingsuchparallelswithWesternEuropeanandAmericandevelopments,whatarewetodeducefrom
8、them?Becauseworksofart,asevidenceofarthistory,representapalpable,physicalpresenceofthepast,historiansofartbelievethattheirscanbeadirectapproachtoanunderstandingofthatpast.Imageshav
