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1、ThedifferencebetweenchineseartandwesternartColorandpatternsTimelineGreekandromanvschunqiuandzhanguoSTATUEOFCENTAURSQUAREZUNWITHFOURSHEEPGreekandromanRomanpaintingprovidesawidevarietyofthemes:animals,stilllife,scenesfromeverydaylife,portraits,andsomemythologicalsubjects.DuringtheHellenisticperiod,ite
2、vokedthepleasuresofthecountrysideandrepresentedscenesofshepherds,herds,rustictemples,ruralmountainouslandscapesandcountryhouses.Eroticscenesarealsorelativelycommon.Inthelateempire,after200AD,earlyChristianthemesmixedwithpaganimagerysurviveoncatacombwalls.ThepaintingoftheancientGreecewasmuchinfluence
3、dbythatoftheMinoanage.Fragmentsofwallpaintingshavebeenfoundinoraroundthepalaces(Pylos,Mycenae,Tiryns)andindomesticcontexts(Zygouries).Thelargestcompletewallpaintingdepictingthreefemalefigures,probablygoddesses,wasfoundintheso-calledCultCentreatMycenae. Variousthemesarerepresented:hunting,bullleaping
4、,battlescenes,processions,etc.Somescenesmaybepartofmythologicalnarratives,butifsotheirmeaningeludesus.ChunqiuandzhanguoItistypicalofthedevelopedShangstylethatallavailablespaceisdecorated,mostoftenwithstylizedformsofrealandimaginaryanimals.Themostcommonmotifisthetaotie,whichshowsamythologicalbeingpre
5、sentedfrontallyasthoughsquashedontoahorizontalplanetoformasymmetricaldesign.Theearlysignificanceoftaotieisnotclear,butmythsaboutitexistedaroundthelateZhouDynasty.Itwasconsideredtobevariouslyacovetousmanbanishedtoguardacornerofheavenagainstevilmonsters;oramonsterequippedwithonlyaheadwhichtriestodevou
6、rmenbuthurtsonlyitself.ThefunctionandappearanceofbronzeschangedgraduallyfromtheShangtotheZhou.Theyshiftedfrombeenusedinreligiousritestomorepracticalpurposes.BytheWarringStatesperiod,bronzevesselshadbecomeobjectsofaestheticenjoyment.Someweredecoratedwithsocialscenes,suchasfromabanquetorhunt;whilstoth
7、ersdisplayedabstractpatternsinlaidwithgold,silver,orpreciousandsemipreciousstones.TherenaissancevsmingdynastyVIRGINOFTHEROCKS灌木丛篁图TherenaissanceTheRenaissancemarkstheperiodofEuropeanhistoryatthecloseo
