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1、WhyChinesePaintingIsHistoryAuthor(s):WenC.FongSource:TheArtBulletin,Vol.85,No.2(Jun.,2003),pp.258-280Publishedby:CollegeArtAssociationStableURL:http://www.jstor.org/stable/3177344.Accessed:17/04/201408:18YouruseoftheJSTORarchiveindicatesyouracceptanceoftheTerms&ConditionsofUse,
2、availableat.http://www.jstor.org/page/info/about/policies/terms.jsp.JSTORisanot-for-profitservicethathelpsscholars,researchers,andstudentsdiscover,use,andbuilduponawiderangeofcontentinatrusteddigitalarchive.Weuseinformationtechnologyandtoolstoincreaseproductivityandfacilitatene
3、wformsofscholarship.FormoreinformationaboutJSTOR,pleasecontactsupport@jstor.org..CollegeArtAssociationiscollaboratingwithJSTORtodigitize,preserveandextendaccesstoTheArtBulletin.http://www.jstor.orgThiscontentdownloadedfrom129.128.216.34onThu,17Apr201408:18:15AMAllusesubjecttoJS
4、TORTermsandConditionsWhyChinesePaintingIsHistoryWenC.FongInherarticle'JapaneseArtHistory2001:TheStateandthattranscendshistory,thatisnotsubjecttothecon-StakesofResearch,"ProfessorMimiHallYiengpruksawanstraintsoftimeandspace,sothat,strictlyspeaking,thereexaminedthecurrentstateofJ
5、apaneseartscholarshipandcanbenohistoryofart....Ontheotherhanditisat-notedthat"upthroughthe1990s,manyseniorscholarsweretachedtoanoptimisticformofnineteenth-centuryposi-caughtinatimewarpofnineteenth-centurynotionsabouttivism,toabelief...[that]historyhadtogivethesem-styleandaesthe
6、ticvalueontheonehandandartastheblanceofachainofcauseandeffect....Thehistoryofexpressionofspiritornationontheother."'Clearly,bythestylehasbeentheattempttoestablishanarrativeorcausalearlytwenty-firstcentury,anysuchsuspectedlinkbetweenartchainwithintheassumedautonomyofart.5andnati
7、onwouldbeanathematothepostmodernartscholar.Yiengpruksawan'scallforreexaminingtheconcep-The"crisis"inthedisciplinethatZernerdescribedappearstotualizationofJapanesearthistory,significantly,ispartoftheconsistofsimplythepolaritiesofourfield-thedialecticgeneralrethinkingofarthistory
8、inthiscountry.Thisprocessbetweenaestheticsandhistory,f
