1950年代的新民歌运动研究

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1、ThethirdchaptercomparesthenewfolksongswithXiaojinzhuangpoem,akindofpoemwhichcompletelylostthecharacteristicsoffolksongs.Aswellasthenewfolksongs,theXiaojinzhuangpoemalsocreatedincertainages,andwasinfectedwiththestyleofindividualrights.Tosomeextent,itcanberegardedasthethrowbackofthen

2、ewfolksongsinthe1950s,anditcarriesthepoliticalfeatureofthenewfolksongstoanextreme.Throughthecontrastofthetwo,wecanfindtheremainingfolkcharacteristicsofthenewfolksongs.Thefourthchapteriswrittenonthebasisofthefirsttwochapters,theoutlineofthenewfolksongsbegintoemergeafteracomprehensiv

3、ecomparison.Thenewfolksongsmovementin1958isaproductofpoliticalandeconomicsituationinaspecifiedperiod,itsemergenceprovideshistoricalbasisfortheresearchofgreatleapforward,butalsobringnegativeinfluencetothedevelopmentofcontemporarypoetry.Asaliterarymovement,itissuccessful.Butwiththefo

4、rmofmovement,itisthefailureoffolksongs.Keywords:Thenewfolksongmovement.Thegreatleapforward.Newpoetry.IV目录摘要.............................................................................................................IABSTRACT.........................................................

5、.....................................III绪论.............................................................................................................11新民歌运动概述..............................................................................12新民歌运动研究现状.................................

6、.....................................53新民歌运动的研究意义..................................................................7第一章传统旧民歌与新民歌运动..........................错误!未定义书签。第一节表现主体的嬗变....................................................................9第二节表现情感的质变............................

7、......................................14第三节表现方法的转变..................................................................17第二章“五四”时期的民歌运动与新民歌运动.....................................22第一节文人主导与上层推进..........................................................22第二节思想启蒙与文艺跃进.....................

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