传统手工技艺与民众生活变迁——以临清贡砖制造业为例

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1、ContentsAbstractinChinese一1AbstractinEnglish．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．·2lrItroduction一3SectionlOriginandSignificanceofTheSelectedTopic．．．．．．．．．．．．．．．．．．．．．．．-．．．．．．．．．·-·3Section2ReviewofTheAcademicHistory．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．

2、．．．．．．．．．．．．．．．5Section3ResearchMethod10Chapter1LiIlqing—aThousand-Year-OldCitybyJinghangGreatCanal·12SectionlNatrualEnvironmentofLingqing．．．．．．．．．。．．．。．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．12Section2SocialEnvironmentofLingqing．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．13Chapter2Linqing

3、TributeBrickFiringTechniqueandItsInheritance··16SectionILinqingTributeBrick．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．16Section2FiringTechnique．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．18Section3InheritanceandCurrentSituation．．22Chapter3TributeBrickproductioninTheSocialChang

4、es．-．．．··-·-··27SectionlMingandQingDynasties．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．··．·27Section2RepublicanPeriod．．30Section3AfterTheextablishmentofNewChina32Section4BriefSummary．，．．．，．，，．．．．．．．．．．．。．．．．．．．．．。．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．35Chapter4Resea

5、rchofTributeBrickTechniqueandChangeofPublic．．．．．．．．．．．．．．．．．．．．．．．．．37SectionlTributeBrickTechniqueandChangeofPubliclife．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．371ConstitutionofProductionSubjet．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．372WorkingLifeofProductionSubject．．．．．．

6、．．．．．．．．．．．．．．．．．．．-403BriefSummary．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．44Section2TributeBrickTechniqueandChangeofPublicspirit．．．．．．．．．．．．．．．．．．．．．．461TechniqueandMemory．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．·462TechniqueandBelief．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．

7、．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．49ConIusion55Ref．crences一58Acknowledgemem．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．61万方数据山东大学硕士学位论文中文摘要本文以临清的贡砖烧制技艺为个案，从民俗学的视角出发，将研究重点放在民俗主体一“