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1、中文摘要定格动画自从出现以来,它特有的艺术形式无时无刻不影响着我们的生活,成为我们生活中极其重要的一部分。定格动画与众不同的制作方法,能出色的完成其它艺术所达不到的特殊视觉效果。它可以将你身边的故事进行平淡化,也可以将其夸张化,还可以随意创造,完成创作者心中想要的画面。定格动画在艺术史上的艺术地位是别的形式的动画不可取代的。定格动画的创作流程相对于其它动画的创作流程大同小异,包括剧本产生、设计的人物、场景的制作、分镜头的特殊设计、中期制作、后期结合、影片完成等。本文对定格动画人物及场景制作论述并将我参与的动画《不速之喵》中运用的一些方法和知识和大家进行
2、分享,同时也希望大家对我的不足之处进行批评和指正。本文旨在以亲身参与制作的定格动画《不速之喵》与国产动画片《冬天里的小田鼠》为例,通过对其材料质地、类型、可塑性以及表现力等进行对比研究,具体分析人物及场景制作对定格动画的影响力。关键词:定格动画;人物及场景制作ABSTRACTEver since its emergence, stop-motion animation has been influencing our lives with its unique art form and become a very important part of o
3、ur lives. With its distinctive production methods, stop-motion animation can excellently reach the special visual effects that cannot be achieved by other arts. It can both dull the stories around you and sensationalize them, or it can create stories freely so as to complete the
4、 images in the heart of the creator. Stop-motion’s status in the history of art cannot be replaced by other forms of animation, and compared with other animations, stop-motion animation has similar creation process, including generating scripts, designing characters, producing s
5、cenes, special design of shooting scripts, production at the medium stage, post-combination and completion of the film, etc. In this paper, I will expound the production of stop-motion animation’s characters and scenes, and share with others some methods and knowledge used in th
6、e animation “Uninvited Guest” that I have participated in. Meanwhile, any criticism and correction of my shortcomings is welcomed. The paper aims to take the stop-motion animation “Uninvited Guest” that I have participated in and the domestic cartoon “Small Vole in Winter” as th
7、e example to make comparative research of their materials, textures, type, plasticity and expressiveness, etc., and specifically analyze the influence of character and scene production on stop-motion animation. Keywords: stop-motion animation; character and scene production目录一、引
8、言1(一)研究背景与缘起1(二)本文的研究思路及方法1二、文献综述2(一)国内定格动画发展状况