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1、毕业论文（设计）AbstractAbstract:ClassicalChinesepoetry,thegemoftheChinesecultureandcivilizationwithalonghistoryofthreethousandyears,isaunityofsound,formandsense.Yetthetranslatedversionsusuallycannotcarrytheequaleffectandbeautyoftheoriginalduetothetranslators’lackofskill,the
2、differencesbetweentheChineselanguageandtheEnglishlanguageandtheinherentdifferencesofculturesandcivilizationsbetweenthetwonations.Apoetrytranslatorshouldnotbesatisfiedwiththemereconveyingoftheoriginalmeaningtothetargetlanguage,butmuststriveforthepreservationandreprodu
3、ctionoftheoriginalbeautyinsound,formandsensetotheutmostdegreesoastobestbringouttheartisticandmusicalbeautyoftheoriginal.Inthisessay,accountisgiventoeachofthethreeaspects,namely,beautyinsound,beautyinformandbeautyinsenseseparately.Beautyinsoundmainlyconsistsofbeautyin
4、rhythmandbeautyinrhyme;beautyinformreferstotheregularityoflengthofpoemlinesandthesyllableseachlinecontains;beautyinsense,themostimportantelementofapoem,liesinthefaithfullyandartisticallyconveyingofthemeaningoftheoriginal,whichrequiresthetranslators’graspoftheclassica
5、lChineseliteraryhistoryandthoroughunderstandingofthecontextoftheoriginal.Onthispoint,theauthorfurtherdividesherargumentintofourparts.ThefirstpartisaboutseveralridiculousEnglishversionsofthefamousimmortalline“烟花三月下扬州“ofTangpoetLibai;Thesecondpartisonthetranslationof“p
6、uns”.Toillustratethispoint,theauthortakestwoTangpoemsasexamples,theyarerespectivelyLiShangyin’s“…春蚕至死丝方尽…”andLiuBingxi’s“…道是无晴却有晴…”;thethirdpartfocusesonthetranslationofnarrativepoetryandtheauthorselectsthemistakentranslationsofthreelinesofBaiJuyi’s《长恨歌》as20毕业论文（设计）e
7、xamplesandgivesanalysesonthemistakesmade;Thefourthpartisaboutpoetrytranslationsthatirritatecontroversialcomments.Lastbutnotleastistheconclusionofthisdissertation,theauthorunitesthethreeaspectsgivenbeforeintoaunityandclaimsthatagoodpoetrytranslationshouldbethepreserva
8、tionandreproductionofthethreeaspectsoftheoriginal.Yetduetotheformidablebarriersinachievingthisperfection,sometimesit’sinevitabletos
