西方意象论-论文.pdf

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1、2014年5月下半月刊ImageryinWesternLiteraryCriticism西方意象论LiuKehong刘柯宏(ForeignL；JnUuases~epartment，EmejCampusofSouthwestJjaotongUnjversjty．EmejshahSichuat1．614202)(西南交通大学峨眉校区外语系I~JII峨眉山614202)[Abstract]ImageryinchineseandWestern1iterarycriticismbearsdifferentconnotationsindifferentperiodsandgenres．This‘

2、nerbrleflyintroducesimageryinWestern1iterarycriticism．【KeyWords]Imagery；image；WesternLiteraryCriticismI．Introductiondescriptive，ornamentalimages．Intheireyes，imageisrichinvitalityOnonehand，imageryinWesternliterarycriticismappearstoandcreativity，naturallyconveyedbyman'semotionsinsteadofbeingattac

3、hmoreimportancetorationalanalysis．withthedistinct。detailedsimplymimicked．Inthesecondhalfofthe19thcentury,peopleagainconceptsanddefinitions．0ntheotherhand，imageryinChinesebeganconsideringtherelevanceamonglinguisticsymbol，imageandliterarycriticismpaysmoreattentiontoblendingfeelingwithsetting，mean

4、ing．MaxMullerinhistheoryoflanguagedevelopmentholdswiththeabstruseimplications．InfluencedbythefeaturesofChinesethatrhetoricalimageisanintegralpartoflanguageratherthanthelanguage，itsdefinitionsseeminsufficientlyaccurate(王松林，2006)．decorationofit．TheemphasisupontheabstractlevelcontainedbyII．Imagery

5、inWesternLiteraryCriticismimageryisincarnatedwithintheSymbolism．ThepoetPaulValeryM．H．Abrams(1988)placesimageandimageryunderthesamepraiseshighlyapoet’scapacityofabstractthinking，takingitessentialmeaning，articulatingthatimageryisacollectionofmultipleimages．tomergemeditationofphilosophywithimagery

6、ofpoetry．ThescopeofTheword“image”wasloanedfromOldFrench．stemmingfrom‘‘imago’’imageryexpandedwhileitbecamemoresuggestive，metaphorical，andinLatin．ThemorphologyofimagoinancientLatini8“imitari”ftomysteriousf王松林，2006)．reproducetheimageof,toimitate)．AsregardsthesourceofliteraryIII．Cone】usioncriticism

7、．“image”reflectsinasensethemimesistheoryrepresentedAppearinginthe1910s，theImagistSchoolgrewtoalargeextentbyAristotle．groundedonthetranslationandresearchofChineseclassicaIpoems．DuringtheRenaissanceimageextendedtherhetoricalImagists