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1、中国风歌曲传统的现代奇观—对流（ChinawindSongmodernwonders-traditionalconvection）"Chinawind"Song:modernwonders-traditionalconvectionFromJayChou's"Lady","windbroken"to"hairlikesnow","thousandsofmilesaway,"HuoYuanjia","chrysanthemumTaiwan",JayChoucreatedanewstyleofmusic.Thisstyleinap
2、ublicbroadcastprocessknownasChinawind,Chinawindtobecometheseatthecountrymusicfashion.Sincethen,LeeHomwithhisinterpretationofthechinked-outhiphopgenre"besidetheplumblossom","HuaTianCuO"."SuSansaid"potteryproductsistousemodernPekingOperaSuthreehiswayout.SimilartoHuYan
3、bin:"desire""Confidante}},JJLin:"Jiangnan""CaoCao""onethousandyearslater"S.H.E",amillionyears""laurel"goddess","everlastinglongingforeachotherafterthe"West""KunmingLake""""white"plotetc..SomanysongsChinawhy,howtointerpretfromtheangleofsociologyandcommunication?Froms
4、ociologyandtheperspectiveofsemanticsmustfirstdistinguishbetweenthetwowordspopularculture(PopularCulture)andpopularizedculture(popularculture).(PopularCulture)popularculturemeansanaturalstate,ithasinfluencebecauseitistheintrinsicattribute,thestaticcharacteristicsofra
5、rehistoricaldimension,itisrelativelyflat,withlittleattentiontothepresentandfuture,thedifferencebetweenrealityandpossibility.(popularizedandCulture)popularcultureonthecontrary,theconcernofsocialbehaviorthepropagationprocessandcommunicationprocessandtheformationofther
6、esult.Accordingtothismethod,thispaperattemptstoChinesewindphenomenonintothepopularculturalsignificancetostudy,becausethenameitselfisformedinthemasscommunicationprocess,isakindofdynamichistory.SothispaperfirstnottopursuetheChinesecharacteristicsshouldhaswhatkindoffix
7、edqualities,nottostudytheselyricsaregoodorbad,buttheanalysisofthespecificcompositiontoitinpopularsongsinthedescriptionoftheChineseimagechangeanditsbackground.FromtheOrientalDragonnationalconsciousnesstoherobeautysimulacramirage1984attheCCTVSpringFestivalGala,Hongkon
8、gpopsingerCheungMingMen's"myheart"sungtoChinesetimesonbothsidesoftheChangjiangRiver.Onbehalfofthesongand"dragon",Chineseimageryisanation's
