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1、中国风歌曲传统的现代奇观—对流(ChinawindSongmodernwonders-traditionalconvection)"Chinawind"Song:modernwonders-traditionalconvectionFromJayChou's"Lady","windbroken"to"hairlikesnow","thousandsofmilesaway,"HuoYuanjia","chrysanthemumTaiwan",JayChoucreatedanewstyleofmusi
2、c.ThisstyleinapublicbroadcastprocessknownasChinawind,Chinawindtobecometheseatthecountrymusicfashion.Sincethen,LeeHomwithhisinterpretationofthechinked-outhiphopgenre"besidetheplumblossom","HuaTianCuO"."SuSansaid"potteryproductsistousemodernPekingOperaS
3、uthreehiswayout.SimilartoHuYanbin:"desire""Confidante}},JJLin:"Jiangnan""CaoCao""onethousandyearslater"S.H.E",amillionyears""laurel"goddess","everlastinglongingforeachotherafterthe"West""KunmingLake""""white"plotetc..SomanysongsChinawhy,howtointerpret
4、fromtheangleofsociologyandcommunication?Fromsociologyandtheperspectiveofsemanticsmustfirstdistinguishbetweenthetwowordspopularculture(PopularCulture)andpopularizedculture(popularculture).(PopularCulture)popularculturemeansanaturalstate,ithasinfluenceb
5、ecauseitistheintrinsicattribute,thestaticcharacteristicsofrarehistoricaldimension,itisrelativelyflat,withlittleattentiontothepresentandfuture,thedifferencebetweenrealityandpossibility.(popularizedandCulture)popularcultureonthecontrary,theconcernofsoci
6、albehaviorthepropagationprocessandcommunicationprocessandtheformationoftheresult.Accordingtothismethod,thispaperattemptstoChinesewindphenomenonintothepopularculturalsignificancetostudy,becausethenameitselfisformedinthemasscommunicationprocess,isakindo
7、fdynamichistory.SothispaperfirstnottopursuetheChinesecharacteristicsshouldhaswhatkindoffixedqualities,nottostudytheselyricsaregoodorbad,buttheanalysisofthespecificcompositiontoitinpopularsongsinthedescriptionoftheChineseimagechangeanditsbackground.Fro
8、mtheOrientalDragonnationalconsciousnesstoherobeautysimulacramirage1984attheCCTVSpringFestivalGala,HongkongpopsingerCheungMingMen's"myheart"sungtoChinesetimesonbothsidesoftheChangjiangRiver.Onbehalfofthesongand"dragon",Chineseimageryisanation's