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1、Page1TheStateofArtCriticismArtcriticismisspurnedbyuniversities,butwidelyproducedandread.Itisseldomtheorized,anditshistoryhashardlybeeninvestigated.TheStateofArtCriticismpresentsaninternationalconversationamongarthistoriansandcriticsthatconsiderstherela
2、tionbetweencriticismandarthistory,andposesthequestionofwhethercriticismmaybecomeauniversitysubject.ParticipantsincludeDaveHickey,JamesPanero,StephenMelville,LynneCook,MichaelNewman,WhitneyDavis,IritRogoff,GuyBrett,andBorisGroys.JamesElkinsisE.C.Chadbour
3、neChairintheDepartmentofArtHistory,Theory,andCriticismattheSchooloftheArtInstituteofChicago.HismanybooksincludePicturesandTears,HowtoUseYourEyes,andWhatPaintingIs,allpublishedbyRoutledge.MichaelNewmanteachesintheDepartmentofArtHistory,Theory,andCritici
4、smattheSchooloftheArtInstituteofChicago,andisProfessorofArtWritingatGoldsmithsCollegeintheUniversityofLondon.HispublicationsincludethebooksRichardPrince:Untitled(couple)andJeffWall,andheisco-editorwithJonBirdofRewritingConceptualArt.08:52:27:10:07Page1P
5、age2TheArtSeminarVolume1ArtHistoryversusAestheticsVolume2PhotographyTheoryVolume3IsArtHistoryGlobal?Volume4TheStateofArtCriticismVolume5TheRenaissanceVolume6LandscapeTheoryVolume7Re-EnchantmentSponsoredbytheUniversityCollegeCork,Ireland;theBurrenColleg
6、eofArt,Ballyvaughan,Ireland;andtheSchooloftheArtInstitute,Chicago.08:52:27:10:07Page2Page3TheStateofArtCriticismEDITEDBYJAMESELKINSANDMICHAELNEWMAN08:52:27:10:07Page3Page4Firstpublished2008byRoutledge270MadisonAve,NewYork,NY10016Simultaneouslypublished
7、intheUKbyRoutledge2ParkSquare,MiltonPark,Abingdon,OxonOX144RNRoutledgeisanimprintoftheTaylor&FrancisGroup,aninformabusinessThiseditionpublishedintheTaylor&Francise-Library,2007.“TopurchaseyourowncopyofthisoranyofTaylor&FrancisorRoutledge’scollectionoft
8、housandsofeBookspleasegotowww.eBookstore.tandf.co.uk.”©2008Taylor&FrancisGroupAllrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilizedinanyformorbyanyelectronic,mechanical,orothermeans,nowknownorhereafterinvented,including
