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走向文化诗学童庆炳（TowardsculturalpoeticsTongQingbing）InNovember7th,hemovedtowards"CulturalPoetics",TongQingbingAbriefintroductiontothespeaker,TongQingbing,director,professoranddoctoralsupervisoroftheliteratureandArtCenterofBeijingNormalUniversity.BorninFujianin1936,graduatedfromBeijingNormalUniversityin1958Chinese,afterhavebeentaught.ChinesearttheoryAssociationconsultant,vicepresidentoftheChineseandforeignliterarytheoryChinesesociety,memberofChinaWritersAssociationcriticismCommittee,memberoftheStandingCommitteeoftheBeijingAssociationofSocialSciences,JinanUniversity,XiamenUniversity,18University,ShandongNormalUniversity,FujianNormalUniversity,CapitalNormalUniversityandotherpart-timeprofessors.Hehasbeenengagedinliterarytheory,ancientChinesepoetics,aesthetics,literatureandart,psychologyandsoon.Themainworksinclude:"IntroductiontoLiterature"and"literaryactivities","aestheticinterpretationofartisticcreationandaestheticpsychology","Chineseancientpoeticsandaesthetics"and"stylisticsandcreation"and"literarytheory","aestheticcharacteristicsofTongQingbingliterature","fivesaidChinaancientliterarytheory",modernsignificancethecreationof"Aesthetics",etc..Contentabstract:whenChinaenteredthetwenty-firstCentury,thepropositionof"CulturalPoetics"wasnotthewhimofanytheorist."CulturalPoetics"isaproperresponsetoreallife. Basicappealof"CulturalPoetics"isthroughtheanalysisofliterarytextsandliteraryphenomena,advocatingthedepthofspiritualculture,advocatinghumanisticcare,advocatingthepursuitofpoeticmeaning,criticizeallshallow,vulgarsocialculture,uglyandanticulture."ThebasicpursuitofCulturalPoetics"isconcernedabouttherealityofculturalexistence;thepoeticcultureanditsperformanceforthenegativerealitycriticism;payattentiontothehumanisticdimensionofculturaldevelopment;theproblemofliteratureandart,culturalissuesintothescopeofpoetics.Thefulltextisgood,todaymytopicis"CulturalPoetics".This"CulturalPoetics"isthesubjectofliterarytheory.Thispropositionof"CulturalPoetics"isnotawhimoftheorists.Itisaquestionraisedbytheexistenceofarealisticculture.Thecurrentrealityofculture,whichmakesusfeelverypleased,atthesametime,itmakesusfeeluneasy,whydoyousaythat,thankfully,Chinesepeopleatthestartofthe20yearsbeforethereformandopeningup,letusgetridofthepoverty,tosolvetheseproblemsandputpeople,life,reallyimprovedalot,butdisturbingisthatwiththedevelopmentofmodernindustrialcivilization,butalsobringsusmanyperplexingproblemssuchasmoralanomieproblems,theseproblemsareveryserious,soinrealitythiskindofsomenegativeissues,whatcausesit,oritsrootswhere.Inmyopinion,itisacompleteculturalsystem,materialculture,systemculture,spiritualculture,whenthethreeformsofitsunbalanceddevelopment,theemergenceofa deformityofthetime,sothesocialandculturalmoralanomieproblemsareproduced.Ithinkthatthedevelopmentoftheeconomy,istohavethehumanspiritguide,advancedcultureisdefinitelynotthekindofnotessentialthings,itmustactonthesocietytoagreatextenttothedevelopmentofeconomy,notthesocialandeconomicdevelopment,isabsolutelyessential,butnotthehealthydevelopmentofsocialspiritualculture.Isnot,inthematerialandculturaldevelopmentatthesametime,thehumanisticidealofadvancedspiritualculture,weneedsuchcare,whichhasbecomeaveryimportantaspect.Moreimportantly,thedevelopmentofmodernindustrialeconomy,needthedepthofspiritualandculturalguidance,economicdevelopmenttoreflectapeople-oriented,iftheeconomyisnotconducivetothedevelopmentoftheconstruction,isnotconducivetotheimprovementofthehumanity,thismakespeoplefeelmachineoppression,environmentalpollution,destructionofculturalrelics,thelossoffaith.Ifthedesireisinfiniteexpansion,sothesignificanceofthiseconomicdevelopmentonpeople'slifeisverylimited,soweshouldclearlyrecognizethatthedevelopmentofmoderneconomy,andthedevelopmentofspiritualculture,Itisnotalwaysuniform,contrarytothedevelopmentofthetwo,itisoftenakindofcontradiction,thatistosayinthehistoryofmankind,theeconomicdevelopmentonbehalfoftheindustrialcivilization,andspiritualdevelopmentisoftenabinaryoppositionbetweenthetwophenomena,theninsucharealityinfrontofit.Asthehumanities,socialworkers,asawriter,literarytheorist,theycandowhattheydo,blindly tosellthekindofconsumerism,hedonism,moneyworship,fetishismtotheranks?Ofcoursenot,wearegoingtoaffecttheeconomicdevelopment,withourwork,somenegativeeffectsofrestrictingeconomicdevelopmentbringstous,sobasedontheabovereasons,thecurrentChinainacademiccircles,itiscalledapopularculturalstudies,culturalstudiesthatitisaword,butintheWestleadlater,itwasintroduced,ithasbecomeatrendofourcurrentChina,thiskindofcultureresearch,isaresponsetothereality,itisofpositivesignificance,butthecurrentresearchobjectofthisculturehasbeenfromtheinterpretationofpopularculturephenomenon,furtherspread,forexample,tointerpretenvironmentalpollution.Theinterpretationofadvertising,theinterpretationofmodelperformance,interpretationofdistrictheat,heattotheinterpretationofcar,interpretationofnetworkheatandsoon,theinterpretationoftheobjectontheleft,theliteraryworksofartitselfSo,inthisway,thiskindofculturalcriticismandculturalstudies,hasincreasinglybecomeapoetic,poeticandantisociologicalcriticism,suchcriticismIthinkitisakindofsocialcriticism,isakindofpoliticalcriticism,goonlikethis,thecultureofititshouldbedecoupledwithliterature,art,literatureandarttheorytobedecoupled,soitisinsuchabackground,thenweputforwardaconceptionofculturalpoetics"."CulturalPoetics"iscertainlyapositiveresponsetotherealityoflife,butthe"CulturalPoetics"whatthereasonis,firstofall,itispoetry,thatistosayitispoetic,itisarguedthatantinotaqualitysuggestiveofpoetryorpainting,poeticandnonpoetic,itisnotabletobeofftheliterary andartisticworks.Secondly,itstudiesandcriticismoftheviewofculture,sosomepeoplemayask,"yousaidthisculturalpoetics"isnotourpreviouslyfamiliarliterarysociology,sotraditionalsociologyisfromsocialhistoricalandculturalbackgroundtoexamineandstudyliteratureandart,sohere,weshouldseethatfromthelastcenturysince80s,thedevelopmentofliterarytheoryappearedinthetwoturningpoint,thefirstisthebeginningofthe80stheso-calledaestheticturning,theWhenDengXiaopingproposed,wenolongermentiontheliteratureforpolitics,whatisliterature,literatureisakindofaestheticthings,thediscussionwasverywarm,sothisisaturn,thento90s,saidthatliteratureandartisakindoflanguage,theemergenceofashiftinlanguage.Thentheselfsteeringandlinguisticturnaftertheaesthetic,thesociologyofliteraturehavebeensilentforquitealongtime.Now,becausethenewprosperityofculturalstudies,weseemtoseeseemstobebackhome,wefocusonsomeliteratureseemstothisexternalproblem,infact,isnowemerging,this"CulturalPoetics",withtheoriginaloldliterarysociety,havebeenverydifferent,thefirstistheculturalpoeticsitfacestheobjectismuchbroaderthaninthepast,thepastliteraturesociologyit'sinterpretationofthetraditionalrealism,theworksofromanticism,andModernLiteraryPoeticstointerprettheobjectitgreatlyexpanded,includingliteratureandart,avarietyofthemes,varioustypesofworks,includingthenowpopularculturedevelopmentthepopularfilmandtelevision,thesearetheobjectwewanttointerprettheobject,soitgreatlyexpanded,inadditiontheconcepthasalsobeenupdated,forexamplenowTherearesomeOrientalism,colonialism,feminism,newhistoricism,whicharesomeofthechangesinsomeideas, Theseproblemssuddenlyspeakupisverycomplex,notallofasuddenwecansimplybeabletogiveyouclear,thatistosaysincethebaptismofaestheticandlanguage,the"CulturalPoetics"ithasfoundanewmethodofcriticism,thatistightlyfromtheworksofthelanguageoftorevealtheideologicalsignificanceofthework,notlikethosepastcritics,fromtheworksoftheformandlanguage,talksomemeaning,isnotlikethat.SowhatisthebasicrequirementofCulturalPoetics",itisbasedonliterarytexts,culturalanalysisandliteraryphenomenon,promotethedepthofspiritualculture,advocatinghumanisticcare,advocatingthepursuitofpoeticmeaning,criticizingallshallowandvulgarculture,ugly,shamelessandanticulture.Thedepthofthespiritualcultureshouldbeaproductofoutstandingculturalblendofexcellenttraditionalcultureofthenationandtheworldofthepursuitofitssignificanceandvalue,thenthemainfeaturesofthedepthofthespiritualculture,itisthehumanisticcharacter,people-oriented,respectpeople,care,love,guarantortheheartofthehealthcareofhumanemotionalworld,promotingpeople'semotional,intellectualandrationalcomprehensivedevelopment."CulturalPoetics"isacontemporaryliterarytheory,itsbasicrequirements,Icanbedividedintothreepoints,thefirstpointofexistenceof"CulturalPoetics"concernofliteraryreality,witharealisticcharacter,ittightlyholdthemarketChinese,industry,andglobalization,refractiontoappearinliteratureandart,anditshouldbeprofoundlyrevealed,some worksofliteratureandartatpresent,alongwiththemarketeconomydrifting,inordertomakemoney,attheshameless,akeensmelloftheso-called"originalecology"Isaidthedescriptionofthepeopleatthatcatertothelowesttastes,thepeoplefeeltotheanimal,ortopromoteviolence,robbery,kidnapping,fightingthesethingsasaheroiccareer,affectouryouth,makeouryouthimperceptiblywhenGoastray,orsomepopularculture,popularculture,seeminglyharmless,infact,Ithinkitiswithsugarcoatedpoison,thedisgustinginteresting,soitmusthaveculturalpoetics,acriticalspirit,itisboundtobeexposedtothesethings.Ialwaysthinkthatthecontemporaryliteratureandartshouldtendtohavetheirownuniquevalue,atensionbetweenthetwoisthehistoricalrationalityandhumanisticspirit,Ialwaysthink,writersandartistsheisworkinginthefeelingsofthegarden,sotheytellsociologists,economistsandentrepreneursandthelikethatisthedifference,thatisthepursuitofwritersandartists,sociologistsandeconomistsentrepreneurstheypursueisdifferent,forsociologists,economists,entrepreneurs,thesepeople,heismoreconcernedaboutthedevelopmentofsocialeconomy,eventothink,thedevelopmentoftheeconomy,attheexpenseofsomeculturalthings,givesomehumanitiesthepriceisinevitable,inordertobreakthehistoricalprogress,somepotsandpans,hurtsomepeople'sfeelings,Somedamagetohumandignity,evenattheexpenseofsomepeople,isnotwhatgreat,theyemphasizemoreisahistoricalreason,itisoftenignored,humanisticcare,sodowritersandartists,writersandartists,heisbothherhands,heshouldnotonlyhavethehistoricalrationality,humanisticcare,hetochoose,notbetweenthetwoisthat eitherthisorthat.No,hewillbetwo,fish,alsowanttobear,andthisisacharacteristicofwritersandartists.RussiahasawritercalledRasputin,hepublishedaveryinterestingwork,thisworkistitled"farewelltomatyora",Maggioraiswhat,MaggioraisasmallislandontheAngaraRiver,anislandinariver.Whenspringcame,peopleontheislandofHispaniolawereinadifferentmood,Waitingfortheonething,whatthingisthisislandtobuildhydropowerstation,thewaterlevelsuddenlytoraisetensofmeters,sothewholeislandwillbesubmerged,thistime,theyoungpeopleandtheelderlythisattitudeisdifferent,youngpeoplefeelthatthisistoogood,thepasthasbeenclosedonthisIsland,andnowwecanfinallymovetotheoutsideworld,wecangototakealook,wecanliveamodernlife,hatenotimmediately,butolderpeopledonotlikethis,theelderlyfeelMaggioraontheislandaresowarmeverytreeandbush.Hereistheirfirstlove,theyhavetheirgarden,greenforest,theyarealreadyveryfamiliarwiththewayoflife,sotheyarenotwillingtoleave,sotheAcharacternamedDahliaBoyle,hesaidtohergrandson,hergrandsoncalledAndre,saidtohergrandson,yousaidtheindustrialcivilizationisnotasgoodastheoldlifeandstability,saidmachineisnotforyoubutforyourlabor,machineandlabor,withyouinthebackofthemachinerunningwhenyoufigurewhatah.Whenshetoldthestoryofit,thekeyistheauthor'spositionandattitude,isalsotheauthorofsympathy,theauthor,sympathizeswiththeyoungpeoplethinktheirfeelingsonthisyearningformodernizationstartafresh,isworthyofrecognition,isworthyofpraise,buttheyalsofeelthattheseoldpeoplethattheyhave nostalgicmood,donotwanttoleavetheisland,alsoisvaluable,butalsotosympathy,whoistheresultofanxiety,isawriter,awriterofsympathyforbothyoungpeople,isalsothesameLovetheelderly,moveouthereisverygood,feelgood,bear,fishhaveto,to,thisisahistoricalreason,tohumanisticcare,also,thisisthestoryofthegeneralsituation.Perhapsyouhaveseenawarmovie,thisistheSovietUnionofafilm,"LiMingjingherequietly"itiswritten,therelationshipbetweenmanandwar,inthismovie,itistakenintwodimensions,ontheonehanditistoadheretothehistoricalreason,theythinkitagroupofgirlsinordertodefendthemotherland,inordertoopposefascism,heroic,andfasciststruggleintheend,atlasttheyallsacrifice,thesacrificeisworth,thisisthehistoricaldimensionofreason,writer,thedirector,tobesure,butontheotherhand,thiswork,alsogiveusahintIfeelsad,somanyprettygirls,theywouldhaveahappyandpeacefullife,andeveryoneofthemareverypretty,theyhavebeautifulyouth,theyhavebeautifulloveButafterthewar,theyouth,beauty,loveandlifearealldestroyed,destroyed,nolongerlookingback,sothatthefilmistolivethemalecommandertogivetheirgraveatthebeginning,itexpressedafeelingofsadness,eventhoughitisajustwar,however,italsobringsaadestructiontotheperson,sohere,itshowstheirattention,careforpeople'shappinessandlife,thisisakindofhumanisticdimension,workslikethis,Ithink,wearetoosmall,inthetwentiethCenturyweChinahowmanywars,but,likethisoneworkcanreallywriteinawarthatcomplicatedfeelingsoftheworks,Ithinkisnotenough,thisisthefirstrequirementofcultural poetics.Second,"CulturalPoetics"openedupaculturalperspective,foundintheworksofartandcultureconnotation,soculturalcontent,containsmanyaspects,suchaswork,wewillhaveavalueofreading,isputforwardbywesternscholars,readingliteraryworks,therearetwokindsofreading,acalledavaluecalledthequalityofreading,reading.Qualityreadingismainlytomeasuretheartisticqualityofthework,whilethevaluereadingismainlytorevealtheculturalvalueimpliedbythework.Ifwehaveavaluereadingofthework,thenwewillfindsomethingveryfreshinsideit.HereIgiveyouanexample,suchasPekingUniversityprofessorJiXianlin,theoldprofessor,heusedaConfucianculturetointerpret,weareallfamiliarwithZhuZiqing's"back",thenhefounddifferentwithus,accordingtotheinterpretationofthesaidZhuZiqing"back"towritethedeepfeelingsoffatherandsonbetween,buthisinterpretationofConfucianismafterit,hesaidthisworkmainlywrotehereadoutalovingfatherandfaithfulson,like"filialpiety"lovingfatherandfaithfulson,thisthing,evenEnglishtranslationtranslationdoesnotcomeout,thisisourownChinese,thistranslation,canbetranslatedintothis.Theparentsverydevout,wordy,Englishinsidewithouttheword,onlytheConfucianculturehastheword,soweusedtheConfucianculturalinterpretationofthiswork,wewillfindthatSomethingnew.Forexample,wewanttoworkintheoriginalhistoricalcontexttointerpretit,butalsoaculturalpoetics,isalsoveryimportant,forexample,Isayapoem,youthinkthisislike apoemlikeapoem,"energy-saving",wemustthinkthiswhatpoetryisnotpoetry,andthisisbecauseyoudon'thavethispoemintheoriginalhistoricalcontext,soyoudonotthinkthepoem,Itellyou,thispoemisDuFu's"three"SongQiangvillagethirdofthefirstsentence,"energy-saving,guesttofightchicken"."Thefirstthree"Qiangvillagewritteninwhattime,itiswritteninthe"rebellion"iscomingtoanend,DuFureturnedtohishometown,heexperiencedthekindofbloodandfireoftherebellion,seebetweenthepersonandperson'skindofcruelstruggle,nowhereturnedtohishometown,heseethatisnotinthebucket,thechickeniscalledin,energy-saving,thispicture,isthemostappropriateexpressionofDuFuthatakindofpeacefullifetime,hehasenjoyedawarmandpeacefullife,likethispoematthesurfacedon'tseemtohavemuchmeaning,butifyouintheoriginalpoemtogoinside,andputtheoriginalpoeminthe"rebellion"ofsuchhistoricalandculturalbackground,toberead,wewillinterpretmanythings,soIthinkthereshouldbeculturalpoeticsadvocatedcontextinterpretation,tolanguageIthinkthisisalsoimportant.Inaddition,wealsofocusedonliteratureandartisakindofinteractionbetweenliteratureandartandothercultureforms,tostudythisinteraction,accordingtoaGermancontemporaryfamousSemiologistcalledCahill,hissemioticconceptofculture,soculturalstyleinhisviewmainlyhassixkinds,thatis,themythoflanguagereligion,art,science,history,classsix,Iactuallythinkthatcanalsoincludepolitics,philosophy,ethics,morality,education,customsandsoon,thenthe"CulturalPoetics",canthestudyofliteratureandlanguage,literatureandmyth,literatureandreligion, literatureandscience,literatureandhistory,literatureandpolitics,literaturewiththeliteratureandphilosophy,ethics,literatureandmorality,literatureandeducation,literatureandfolklore,therelationshipbetweeneachother,sothatwecanfindworkThenewmeaning,Ithinkthatliteratureandartisakindofsystemcannotbecompletelyclosed,tothispoint,LuXunhadsaid,hesaiditisliterarysociety,buthefeelsearlyfeelsensitive,speakoutearly,sothispaperattemptedtogetridofthesocialcultureartresearch.Thatis,studyandcriticismofliteratureandartinisolation,Ithink,alwayshaveimperfections,sothestudyofliteratureandartcriticism,artoftheliteratureneedsoutsidereference,suchasliterature,itisakindofculture,history,isalsoakindofculture,thenthesetwokindsofcultureisakindofinteraction.Thenwestudyakindofinteractive,youwillfindmanymeaningfulandinterestingaspects,suchasmanypopularhistoricalnovelsandTVdrama,somanyhistorians,theOftencriticizedthesehistoricalnovels,orTVdrama,inside,manyareinconsistentwithhistoricalfacts,wereadthesecriticismslater?,Itwasshocking,thesenovelists,thesedirectorsevenrudimentaryknowledgeofhistoryarenot,howcanyouwrite,actually,Idonotbelievethatthesewritersthedirector,eventheleastknowledgeofhistoryarenot,theydaretowritehistoricalnovels,daretogoupbythehistoricaldrama,infact,literatureitisacreationofaestheticculture,itisakindofaestheticactivityofhumanbeings,wehavewrittenworks,cannotbecalledliteraryworks,itiscrucialthathewroteunderthepenoflife,isnottoevaluateemotionallife,thekeyistolookattheseworksisnottheemotionalevaluation oflife.Itisnotpoetic,aRussianwriter,LevTolstoy,heoncesaidafamoussaying,hesaidoneofthemainspiralofcreation,isthesenseofpoeticandnotfeelPoetryThisdifferenceinmeaning,Ithinkwhathesaidisveryright,writethehistoricalthemesoftheworks,nottobeloyaltothehistory,iscompletelyobjectiverealfeelingsofthecompletecopyofhistoricalfacts,historicalnovelsandhistoricaldramainhistory,istheauthor'sfeelingsfilteringofhistory,hehasnottheoriginalhistory,forexample,weareveryfamiliarwiththe"ThreeKingdoms","ThreeKingdoms"novels,andlateradaptedTVseries,thenitisnotcompletelycopythehistory,ifyoucopythehistoricalfactsofthiscreationwillnotbesuccessful,includingthreeinromancenovelsandtelevisiondramas,successisthatithasagoodemotionalevaluation,thehistoryoftheThreeKingdomsperiod,intheplayisahistoricalframework,atimelimitofbreakingthehistoricaleventsarerewritten,Historicalfigureshavebeenreshaped,soitisnotthegeneralhistorybooktofaithfulnarrativehistory,thewriter,accordingtohisintention,withgreatenthusiasmtoinventsomescenes,withloveandhatefeelingstothecharacters,suchas"kongchengji"weallknowthis,"ThreeKingdoms"thereisasectionof"emptyaccount",Itellyou,"kongchengji"youcheckthe"ThreeKingdoms"andthehistorybookswillknow,thereisno,butwhenZhuGeliangzhunbingisItissheerfiction.,ShaanxiHanzhoungYangPing,isacting"kongchengji"ofthisscene,SimaYi,inHubeiJingzhouservedasmilitarygovernor,thereisnochancewithZhuGeliangagainst,sothenovelsanddramaoftheauthor,hereisacompletefiction,itismerelyaEmotionalevaluation,thatistosayZhuGelianglandscaping,thewisdomofatributetoZhuGeliang,tothewisdomofsuchascenetocelebratethe praiseofZhuGeliang,aliterarytheoristLiuXieinancientChinese,inhisimportanttheoreticalworkscalled"Wenxindiaolong"whichsaidaword,called"thefeelingofthetext"Ithinkthissentencecanbesaidout,asakindofculturalaestheticcharacteristicsofpoeticliterature,sotheliteratureandartofthisculture,youwanttoaskfortheauthenticityofhistoryandculture,itisnotreasonable,thehistoryoftheliteratureonthethemeoftheauthorisnotlikesomehistoricalHousesaidtheyhavenoknowledgeofhistory,atleast,someofthehistoricalthemesoftheseauthors,theyoftendo,istoborrowthehistoryofsocialrealitytoexpresssomekindofemotionalevaluation,aJustthinkaboutit.Thenthe"CulturalPoetics"thirdrequirements,isattachedtotheworks,forexample,tofindthemeaningoftheworks,andthentheoldliterarysociology,"CulturalPoetics"isnotonlythecontentoftheworks,worksouttotalkaboutabstractthoughtsandfeelings,ittenliterarylanguageandlanguagethisthingisveryimportant,itcanachievethelanguageboundaryistheboundaryofourthoughtsandfeelingscanbeachieved,thelanguageisatool,itisalsoakindoflife,whenlifeappearsinsideanewword,itmeansanewlifestart,so,thislanguageisveryimportant,therefore,weshouldattachgreatimportancetotheuseofalanguageintheworks,forexample,wereadnovels,Wecanseemanyofthestorylinesareforgotten,butsomethingssomepeople,wewillnotbeforgotten,forexampleinthe"ThreeKingdoms",CaoCaosaid,"Ningtoldmetheworldisnegative,HughnegativeIcalledtheworld",isatraitorcompletelyunmasked. Forexample,LuXun's"Diaryofamadman"thereisaverywonderful,sowealsowanttoread,"Diaryofamadman"whichhasaword,say"Iopenedthehistoricalinvestigation,thistimewithnohistory,askewoneverypageiswritten"afewwords,Ihumanity,justiceandmorality"sleepanywayno,lookatthemiddleofthenight,onlyfromthewordgaptoseewords,fulltextsarewritteninthetwowords,"eat"".Sowewanttoreadthissentence,cannotbeliketheoldliterarysociology,itistheperformanceoftheoldcodetoeat,cannotbesuchabandbefore,wehavetoask,whydoesLuXunwanttowritehere,thistimewithnohistory,whatisthemeaningofthis,why?Historyshouldbeofage.Whyistherenohistoryofthisage?Thenwe'llthinkofLuXunthoughtisChinafeudalruleintwothousandyearsisalonglonghistory,whichisnotadayinwhichyear,whichmonthdo,therefore,notime,long,inthelongyears.Inaddition,whyLuXunwrote"crooked"codepagereads"strugglehumanity,justiceandmorality"afewwords,"whyhumanity,justiceandmorality"iscrooked,write,"crooked"iswhatmeaning,askewinourviewisakindofdressingYan,notseriousso,itisacrookedwrite,alsosaidthat"thefeudalrulershumanity,justiceandmorality"and"humanity,justiceandmoralityis"ispeople'sperfunctorypeople,perfunctory,notreally,isfalse,sothereisawordthatIlookedcarefullyinthemiddleofthenight,onlyfromthewordgapseewords,wordsbetween,whyissewingtheinsidelookingoutfromtheword,whynotdirectlysee,isfromthewordgaplookout,weknowthathewasspeakingonthesurfacethroughthewordhumanity,justiceandmorality.Throughthejoint,istherealwordseam.Itisaboutthe"eatman",thisisasentenceofthefeudalsocietyofevil,solikethese sentences,wegothroughaclosereadingofus,afteracarefulreading,sothis"CulturalPoetics",itisregardedbylanguagetorevealthemeaning,thisis"CulturalPoetics"adheretothe"CulturalPoetics"asanewformofliterarytheory,wewillpromotetheeraofliterarycriticism,tocontributetothedevelopmentofliterature,Ithinkthisisforsure.Question:Hello,Ms.Tong,I'dliketoaskyou.Whatdoyouthinkistherootoftheantipoeticliterarycriticismtheoryadvocatedinthewesternliteraryandartcircles?.Answer:Westernculturalcriticismisoneofthecharacteristicsofantipoetry,itsmainpurposeistothinkthroughthiskindofcriticismofcapitalismisasintoexpose,becausemostearlyproposedtheculturalcriticismofBritishCultureResearchCenterBoMinghan,thisisagroupofWesternMarxdoctrine,theyexpressedextremedissatisfactionthecapitalistworld,theyisthestudyofliteratureandart,tofurtherexpand,directlytothediscussionofpoliticalissuesofthesesocieties,theresultsofliteratureandart,thesearelost,aqualitysuggestiveofpoetryorpainting,intopoliticsinapurelysociologicalcriticism,suchcriticism,aswearestressedandthe"CulturalPoetics"isdifferent,soIthinkthis"CulturalPoetics"proposedbyus,isdeeplyrootedinourChinese.Acriticalformofrealisticsoil.Hello,Mr.Tong,Iwouldliketoaskyou,howtouseculturalpoeticstoexaminethemassculture,thankyou.Answer:massculture,culturalpoeticsisaimportantobjectofinterpretation,Ithinkthatpopularcultureisverycomplex, somepopularculturaltasteisrelativelyhigh,relativelyhighideologicaltasteandarttaste,thensomepopularculture,Ithinkthetasteisrelativelylow,Thenthe"CulturalPoetics",Ithink,itmustbebasedonthepopularcultureworks,itslanguage,itssymbol,cutintotheworksofthetexturetogoinside,toshowtheadvantagesanddisadvantages,toshowthatthelevelofwork,sohereisthemostimportantoneisthevalueoftheimportantvalueofreading,readingweshould,throughvaluereadingthisapproachtotheinterpretationofpopularcultureanditsvaluetrend,trendofitsculturalvalue,suchastheconnotationofculture,whatisdeepisshallow,isahealthy,oranegative,Ithink"CulturalPoetics",itcanbethroughthisvaluereading,thisway,toachieveadeepunderstandingofthemassculture.TongteacherHello,Iheardyousaysolongtime,Ithinkthetheoryofculturalpoetics,toexplainsomephenomenainthefilmjokinghistory,seemstobeveryreasonable,butitwillinevitablycausesomemisleadingtotheaudience,howtodealwiththerelationshipbetweenthetwo?Ithinkso,hewantstoknowifareaderandahistoryofknowledge,thenIsuggestyounottolookattheTVseries,youcanreadsomeChinahistory,historytextbooks,"Chinesehistory","Chinesehistory","Chinamodernhistory","historyoftheCommunistPartyofChina",yougotoreadthehistorybookstoobtainknowledge,youattemptbytheTVseriestoobtainknowledgeofatruehistoryofonehundredpercentthisisnotpossible,theTVseries,mostprovidesahistoricalframework,ahistoryofthetimelimit,afterhereshapingthe characters,itcanalsobefictionalscenes,notonlyherejoking,theonethatlooksexactlythekindofTVdramatherearemanydetails,isthecreativedirectoroutofthefictional,imaginary,soyouwanttoget.History,Isuggestyougotoreadhistorybooks.-back-
