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1、mTheTime-ImageGillesDeleuzeTranslatedbyHughTomlinsonandRobertCaletaMINUniversityofMinnesotaPressHEsoMinneapolisfA'CopyrightTheA't1tlresP----FirstpublishedasCinema2,L1111age-tempsCopyright©1985byLesEditionsdeMinuit,Paris.PublishedbytheUniversityofMinnesotaPressIIIThirdAvenueSouth,S
2、uite290,Minneapolis,MN55401-2520PrintedintheUnitedStatesofAmericaonacid-freepaperFifthprinting1997LibraryofCongressNumber85-28898ISBN0-8166-1676-0(v.2)ISBN0-8166-1677-9(pbk.;v.2)Allrightsreserved.Nopartofthispublicationmaybereproduced,storedinaretrievalsystem,ortransmittedinanyfor
3、morbyanymeans,electronic,mechanical,photocopying,recording,orothenvise,,vithoutthepriorwrittenpermissionofthepublisher.TheUniversityofMinnesotaisanequal-opportunityeducatorandemployer.ContentsPrefacetotheEnglishEditionXlTranslators'IntroductionXVChapter1Beyondthemovement-image1How
4、isneo-realismdefined?-Opticalandsoundsituations,incontrasttosensory-motorsituations:Rossellini,DeSica-Opsignsandsonsigns;objectivismsubjectivism,real-imaginary-Thenewwave:GodardandRivette-Tactisigns(Bresson)2Ozu,theinventorofpureopticalandsoundimagesEverydaybanality-Emptyspacesand
5、stilllifes-Timeasunchangingform133Theintolerableandclairvoyance-Fromclichestotheimage-Beyondmovement:notmerelyopsignsandsonsigns,butchronosigns,lectosigns,noosigns-TheexampleofAntonioni18Chapter2�ecaPitulationofimagesandszgns1Cinema,semiologyandlanguage-Objectsandimages252Puresemi
6、otics:Peirceandthesystemofimagesandsigns-Themovement-image,signaleticmaterialandnon-linguisticfeaturesofexpression(theinternalmonologue).303Thetime-imageanditssubordinationtothemovement-image-Montageasindirectrepresentatiooftime-Aberrationsofmovement-Thefreeingofthetime-image:itsd
7、irt!ctpresentation.Therelativedifferencebetweentheclassicalandthemodern.34Chapter3Fromrecollectiontodreams:thirdcommentaryonBergsonThetwoformsofrecognitionaccordingtoBergson-Thecircuitsoftheopticalandsoundimage-44VIContents2Fromtheopticalandsoundimagetotherecollectionimage-Flashba
8、cksandcircuitsThetwopolesofthefla
