名利场两种译本的译者主体性毕业设计

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1、名利场两种译本的译者主体性毕业设计CONTENTSPreface1ChapterⅠIntroduction41.1AnIntroductiontoVanityFairanditstwoSelectedChineseVersions41.1.1ASummaryoftheNovel——VanityFair41.1.2ThetwoCompleteChineseVersionsandTheirTranslators51.1.2.1YangBi’sTranslatedVersionofVanityFair51.1.

2、2.2PengChangjiang’sTranslatedVersionofVanityFair71.2ResearchMethodology81.3ResearchSignificance81.4LayoutoftheThesis9ChapterⅡHermeneuticsandTranslator'sSubjectivity102.1Hermeneutics102.1.1OriginandDevelopmentofHermeneutics102.1.1.1OriginofHermeneutics102.

3、1.1.2DevelopmentofHermeneutics112.1.2SomeCoreConceptsofModernHermeneutics122.2SubjectivityofTranslator132.2.1DefinitionofTranslator’sSubjectivity132.2.2SubjectivityofTranslatorfromInvisibilitytoVisibility142.2.3DistinctionBetweenTranslator’sSubjectivityan

4、dTranslationSubjectivity.162.3EnlightenmentfromHermeneuticsonTranslator’sSubjectivity172.3.1ValidityofTranslator’sSubjectivityfromtheperspectiveofHermeneutics172.3.1.1GeorgeSteiner’sFourfoldHermeneuticTranslationMotionTheoryanditsTheoreticalSupporttotheVa

5、lidityofTranslator’sSubjectivity172.3.1.2Gadamer’sHermeneuticTheory,IncludingHisTheoriesof“FusionofHorizons”,“Prejudice”,“Fore-Understanding”,andTheirSupporttotheValidityofTranslator’s3Subjectivity202.3.2AvoidanceofExcessive“Prejudice”——LimitationofTransl

6、ator’sSubjectivity22ChapterⅢAComparativeStudyofTranslator’sSubjectivityBasedontheTwoChineseVersionsofVanityFair——fromthePerspectiveof“FourfoldHermeneuticTranslationMotionTheory”243.1Translators’Trust253.1.1Translators’CulturalBackground253.1.2Translators’

7、TranslationMotive273.2Translators’Aggression293.2.1Translators’AggressioninDifferentPersonality293.2.2Translators’AggressionasDifferentGender313.2.3Translators’UnderstandingandJudgmentoftheSourceText343.3Translators’Incorporation353.3.1LinguisticAbsorptio

8、noftheStyleintheOriginalWork353.3.2AestheticAcceptanceoftheOriginalWork373.3.3AbsorptionofCulturalConsciousnessoftheOriginalWork393.4Translators’Compensation/Restitution403.4.1DiscrepancyBetweenDifferentCulturesandL