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1、InternationalJournalonArtificialIntelligenceTools©WorldScientificPublishingCompanyRENDERINGAESTHETICIMPRESSIONSOFTEXTINCOLORSPACEHUGOLIU&PATTIEMAESMediaLaboratory,MassachusettsInstituteofTechnology,20AmesStreet320D,Cambridge,MA,02139USA{hugo,pattie}@me
2、dia.mit.eduReceived(05MAY05)Accepted(DDMONTHYY)Whatisanartworkandhowcouldamachinebecomeartist?ThispaperaddressestheprovocativequestionbytheorizingacomputationalmodelofaestheticsandimplementingtheAesthetiscope—acomputerprogramwhichportraysaestheticimpre
3、ssionsoftextandrendersanabstractcolorgridartworkreminiscentofearlytwentiethcenturyabstractexpressionism.FollowingFreudandDewey’spsychologicalinterpretationof“aesthetic”andJung’sontologyoffundamentalperceptions,wetheorizethataviewerfindsanartworkmovinga
4、ndsatisfyingbecauseitseducesherintorichevocationsofthoughts,sensations,intuitions,andfeelings.TheAesthetiscopeembodiesthistheoryandaimstogeneratecolorgridspairedwithinspirationtexts(aword,apoem,orsonglyrics)whichcanbereceivedasaestheticandartisticbyavi
5、ewer.ThepaperdescribesfiveJungianaestheticreaderswhicharecapableofcreativenarrativeunderstanding,andthreecolorlogicswhichemploypsycho-semanticprinciplestorendertheaestheticreadingsincolorspace.EvaluationoftheAesthetiscoperevealedthattheprogramisbestatp
6、ortrayingintuitionandfeeling,andthatoverall,theAesthetiscopeiscapableofcreatingtheaestheticofartbasedonaninspirationtextinanon-arbitraryway.Keywords:aesthetics,text,colorpsychology,reading,semanticinterpretation,generativeart1IntroductionIn1951,theAmer
7、icanminimalistpainterEllsworthKellyexhibitedapiececalledSixty-FourPanels:ColorsforaLargeWall(Figure1).EachofthecolorsinKelly’s8x8gridwere,accordingtohisaccount,takenfromadifferentmemoryinhispersonalexperience.SothecolorsthenhaveaverypersonalmeaningforK
8、elly,andthegestalt,orwhole,ofthecolorsinthegridcouldbesaidtocreateforKelly,anaestheticresonance—arichimpressionisticevocationofhislife.Ofcourse,thisgridofcolorscanonlycreateitsmostmeaningfulresonanceforKellyhimself;forothers,thepieceism
