浅谈民族唱法在戏曲唱腔上的借鉴

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1、分类号：学校代码：学号：本科生毕业论文浅谈民族唱法在戏曲唱腔上的借鉴TalkingaboutthenationalsinginginoperasingingReference所在院(系)：学生姓名：指导教师：研究起止日期：二○一二年十月至二○一三年五月学位论文独创性声明本人郑重声明：1.坚持以“求实、创新”的科学精神从事研究工作。2.本论文是我个人在导师指导下进行的研究工作和取得的研究成果。3.本论文中除引文外，所有实验、数据和有关材料均是真实的。4.本论文中除引文和致谢的内容外，不包含其他人或其它机构已经发表或撰写过的研

2、究成果。5.其他同志对本研究所做的贡献均已在论文中作了声明并表示了谢意。作者签名：日期：2013年5月20日[摘要]中国民族唱法与戏曲唱腔在我国艺术领域中的发展有着悠久的历史。戏曲唱法是我国传统唱法中最具代表性的唱法，许多训练方法是值得声乐界学习的。民族唱法作为一种唱法，直到今天还处在一个复杂的整合过程中，这给本人提供了一定的思考探讨空间。文章浅谈民族唱法如何借鉴戏曲唱腔，希望新一代的声乐学习者，能够多去了解戏曲、学唱戏曲，继承和传播优秀的民族音乐文化，这是专业学习的需要，更是义不容辞的责任。[关键词]戏曲唱腔民族唱法借鉴

3、[Abstract]thereisalonghistoryofChinesenationalvocalsinginganddramainthefieldofChineseartinthedevelopmentof.TraditionaloperaisChina'straditionalsingingstyleisthemostrepresentativeinthesinging,manytrainingmethodisworthyofmusiclearning.Nationalsingingasasinging,until

4、todayisstillinacomplexintegrationprocess,thisgivesmeprovidesomethinkingofspace.Thisarticleonhowtousenationalsingingoperasinging,hopethatthenewgenerationofvocallearners,cantounderstand,learntosingoperadrama,inheritandspreadtheexcellentnationalcultureofmusic,whichis

5、inneedofprofessionallearning,itisobligatoryresponsibility.[Keywords]operasingingfolksinginglessons目录引言·································································1一、戏曲艺术·························································11、戏曲的历史·························

6、·······························12、戏曲唱腔的含义····················································13、戏曲唱腔的特点····················································1二、民族唱法·························································21、民族唱法的定义···································

7、·················22、民族唱法的特点····················································2三、民族唱法在戏曲唱腔上的借鉴·······································31、民族声乐的曲目在戏曲唱腔上的借鉴··································32、民族唱法中的润腔就是从戏曲唱法中衍生而来的························33、民族声乐歌唱家有许多人与戏曲艺术有着不解之缘····

8、··················44、民族声乐演唱风格在戏曲唱腔上的借鉴——以孙丽英演唱的《昭君出塞》为例···································································4四、中国民族声乐的发展应注重向戏曲学习··········