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1、ShanghaiInternationalStudiesUniversityAPRAGMASTYLISTICSTUDYOFMYSTERYDRAMAANDTHENTHEREWERENONEAThesisSubmittedtotheGraduateSchoolandCollegeofEnglishInPartialFulfillmentoftheRequirementsforDegreeofMasterofArtsByGaoChangUnderSupervisionofProfessorYuDongmingOctober2014万方数据AcknowledgementsIwouldli
2、ketotakethisopportunitytoexpressmyheartfeltgratitudetoallthosewhohaveinspired,guidedandencouragedmeinthecreationofthisthesis.Mysincerethanksshouldfirstgotomyrespectablesupervisor,ProfessorYuDongming,whosethought-provokingcoursesonpragmatics,discourseanalysisandstylisticsprovidedmewithvaluable
3、insightintothesefields.Duringthewritingprocess,henotonlygavemepatientguidance,valuablesuggestionsandgenerousencouragement,butalsointroducedseveralbooksformyreference.AfterIfinishedthedraftofthisthesis,hesparednoeffortinrevisingitandgavepracticaladviceforimprovement.What’smore,hismeticulousatt
4、itudeandprofoundknowledgeserveasarolemodelformethroughoutmygraduatestudy.ThanksandappreciationshouldalsobeextendedtoalltheotherprofessorswhohavetaughtmeinShanghaiInternationalStudiesUniversity.TheyareProf.FengQinghua,Prof.JeroenvandeWeijer,Prof.LiJi’anandAssociateProf.MaJingxiu,fromwhoseenlig
5、hteninglecturesI’veacquiredsystematicknowledgeinphoneticsandphonology,morphology,psycholinguistics,sociolinguistics,discourseanalysisaswellastranslation,whichinspiresmenotonlyinmyacademicstudybutalsoinmyvaluesandideals.Lastbutnotleast,I’mdeeplyindebtedtomyimmediatefamiliesanddearfriends,whoha
6、vecontinuouslysupportedmeinovercomingdifficultiesandencouragedmetopursuemydreamallthroughtheyears.i万方数据摘要阿加莎·克里斯蒂是英国著名的侦探作家,素有“推理小说女王”之美誉。同时,她也是一名出色的剧作家,一生中共创作了20多个剧本,至今仍在许多国家的舞台上热演。本文选取阿加莎的经典悬疑剧《无人生还》作为研究对象,以语用文体学作为理论基础,采用定性和定量相结合的方法对剧中的人物对白进行剖析,旨在揭示对话在人物塑造、情节发展、制造悬念和增强戏剧效果等方面的作用,从而更好地诠释这部剧作
7、的内容和主旨,同时也为悬疑剧的赏析提供一种新的视角。作者首先对语用文体学的相关概念、理论和研究成果进行了梳理,并简要介绍了阿加莎·克里斯蒂本人以及《无人生还》的故事梗概和相关研究。根据文献综述来看,以往的研究主要以文学评论为主,较少涉及语言层面的分析和探讨。随后,作者借助语用学和文体学的相关理论与研究范畴,按照词汇、句式和语篇三个层次,构建了本文的分析框架,具体包括语域、言语行为理论、话轮转换和会话含义。第四章和第五章是全文的主体部分,在已有框架的基础上,选取《无人生还》中最具代