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1、ChinesepaintingasoneofChinesetraditionalartforms,comingfromChinesecalligraphy,isabridgetoshowChinesepeople’svalueinlifeandnature,individualandcollective,internalityandexternalism.Itissubjectivelyexpressingpeople’sinnerreactiontowardsthewholesociety.Conventionally,China’
2、spaintingisdirectlyconnectingwithcalligraphy.Theyareintegrative.InChinesepeople’sthinking,atraditionalpoetshouldbeofthecapabilityofpainting,calligraphy,poemandmusic.Soasoneofthebasicskillstobeaneligibleliterator,theskillofpaintingisindeedimportant. Thepaintingistheoutsi
3、deexpressionofthepoemcontentandtheimageofcalligraphy,anditisalsotheexteriorshowofpeople’sinnerworld.Thepoemispaintingandpaintingispoemaswell.Additionally,manypeople’spersonalambitionorlifelongaimcannotberealizedbytheearthlywork,andthenthepainttheiridealworldintotheirpai
4、nting.ThisisoneoftheoriginsofChineseuniquepaintingschool,whichisliterary-painterschool.ThisisaspecialoneonlyexistinginChina.Throughthisartisticform,manyexpressionsonculturecouldbefelt. Ingeneral,China’spaintingwasfloweringafterHanDynasty.Duringthetimeofthreekingdomsandt
5、heperiodofWeiandJinDynasties,itwasaprocessfromunificationtoseparation.Theinstabilityofpolitics,theturbulenceofsocietyanddepressionofeconomyboughttheunusualchangeinideology.Atthistime,therulingclasswasthoroughlyinfluencedbytheConfucianismandthefolkethoswasalsochangedasit
6、went.Thetroubloussocietymadeagoodopportunityforreligionspread.TheurgentdemandandextensiveacceptanceofallwalksoflifetoBuddhismwereavailable.Thecharacterpaintingextremelyexpandedanddevelopedinstantly.MostofthepaintingsareconcernedabouttheBuddhismandthestoriesrelated.InTan
7、gDynasty,duetothefreedomofreligion-believing,theBuddhismpaintingextremelyexpanded,includingmostofChina’sworld-renownedfrescos.ThemosttypicalandoutstandingrepresentativepainterinthisperiodwasWuDaozi,whowasfamousforhischaracterpaintings(religionpaintings)andpaintingsonmou
8、ntainsandwaters. InSongandMingDynasties,itwasthegoldentimeforChinesepaintings.Astheflourishoftheliterature,the