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1、摘要内丘纸马是我国民间木刻版画艺术中的独特的类型，其图像内容多为神怪圣灵，主要用于敬神祭祖与祈福禳灾。当我们看到内丘纸马图像时我们会感到一种粗犷、神秘、奇特的稚拙之美。本论文运用了文献资料法，综合分析法，图片收集法，对内丘纸马图像进行研究。根据帕诺夫斯基图像学理论来解读内丘纸马，研究分析其呈现的艺术特征与蕴含的文化融合信息,揭示出其蕴含的象征意义和美学价值。这对于我们继承和吸收民间木版年画的精华以及在现代绘画中的创新都有启发意义和借鉴价值。本论文共分为四章，第一章介绍了内丘纸马的历史渊源，从民俗习惯和民间信仰的发展探讨了内丘纸马的图像起源。第二章从水
2、陆画性质的纸马、借鉴中国戏剧特点的纸马、受原始文化影响的纸马、内丘特有的地方纸马，这四个方面对其众神图像进行了重点研究。第三章研究总结了内丘纸马的艺术特征，造型抽象奇特、线条简约粗狂、构图饱满对称、色彩喜庆醒目、画文融合统一。第四章论述了内丘纸马艺术与西方现代艺术的契合。希望本论文能为今后相关领域的研究提供依据。关键词：内丘纸马众神图像图像特征与西方现代艺术的契合IIIAbstractSinceMingandQingDynasties,therehavenearly200yearsfromthewesternoilpaintinghasbeenint
3、roducedintoChina.Anumberofgenerationsofartistsdiscussedandresearched,fromcognizancetoimitation,oilpaintinginChinahasgotadecentsizeofextentandtheunbelievableimpaction.Inrecentyears,theproblemofChineseoilpaintingfocusedbytheartistnowadaysishowtodevelopandpositionit.Theresultis,th
4、erapiddevelopmentisdependsonthefundamentalthatChineseoilpaintissetupbyethnicculturecharacters,essentially,theorientationofourselves.Forthousandsofyears,Chineseideologicalawarenessemphasizingtheharmonyandunitybetweenmanandnature,thehumanlifeandtheuniversespiritisintegrated.TheCh
5、ineseoilpaintingandthewesternoilpainting'sculturalbackground,thethoughtconsciousnessisdifferent,asaresult,theexpressionalsoshouldbedifferent.TodevelopChineseoilpainting,theonlywayistoestablishonthebasisoftheconceptofourownculture,advocatethespiritoftheFreehand,combinedwiththesp
6、iritoftheageandtheconceptofChineseandWesternpaintingskillfullyentryandfusion,advancingwiththetimes,tocreateatheirownpieceofblueskyandfertilesoil.Thisarticle,firstly,throughelaboratingartisticcharacteristicsofChinesepainting,knowingabouttheChineseartisticconceptoffreehandandanal
7、yzingstructureandlanguageofChinesepainting.Inthesecondchapter,thepaperanalyzestheimageofthegodsfromthepaperhorseofthenatureofthelandandseapainting,thepaperhorseoftheChinesedrama,thepaperhorseandthelocalpaperhorse,whichisinfluencedbytheoriginalculture.Inthethirdchapter,theauthor
8、summarizestheartisticcharacteristicsofthehorses,thepec
