《十日谈》与《坎特伯雷故事集》.ppt

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1、《十日谈》与《坎特伯雷故事集》一、两部作品简介1、薄迦丘与《十日谈》（Decameron，1348-1353）方平、王科一序《幸福在人间！》（意）桑克提斯把《十日谈》与《神曲》（DivineComedy）相提并论，称之为宣传“幸福在人间”的“人曲”（HumanComedy）。故事集是欧洲第一部现实主义文学作品，欧洲近代短篇小说的奠基之作。《十日谈》插图：佛罗伦萨流行瘟疫绘画：绮丝梦达与纪斯卡多绘画：杨诺与亚伯拉罕《十日谈》插图与绘画波提切利《十日谈》题材绘画：老实人纳斯塔基奥的故事2.乔叟（1340——1400）与《坎特伯雷故事集》收有24个故事，读法：总引＋开场白＋故事（例如，巴斯妇,The

2、WifeofBath；武士侍从；女尼；磨坊主；厨师；法役等），创立了双韵体诗。乔叟画像与塑像《坎特伯雷故事集》绘画：前往坎特伯雷的朝圣客们CompareBoccaccio’sdecameronandChaucer’sCanterburytalestofindthedifferencebetweenthem比较一下卜伽丘的《十日谈》和乔叟的《坎特伯雷故事集》的不同。TheBackgroundThoughChaucerandBoccacciosharedsome(aboutthirtytwo)yearsintheirlifetime，EnglandandItalydidnotsharethesam

3、ehistoricalperiod．InChaucer’stime，EnglandwasinherlateMedieval[midɪ'ivəl]Age（中世纪时代），whileItalywasalreadyinherRenaissance[rɪ'neɪsəns]period(文艺复兴时期)inBoccaccio’stime.ChaucerdealsmainlywiththreeestatesinTheCanterburyTales：knight(thenobility)，theworking-man(thethirdestate)andtheeeelesiastie(thechurch)．Th

4、eeconomicsituationsofdifferentpeoplearerevealedbythedescriptionofthecharacters，clothingandsocialbackgrounds．AtBoccaccio’stime，theemergingbourgeoisinItalyaregettingmoreandmoreprosperousintermsofwealth.Sothewisdomofbusinessmenishighlypraised，corruptionofecclesiasticpeopleisseverelycriticizedandascetic

5、ismoftheChristianityiscompletelyrejectedinTheDecameron．TheContentsThe“Prologue”oftheTalesandthe“Preface”togetherwiththe“Introduction”oftheDecameronbothserveastheopeningpartinthetwoworksseparately．Boccacciodoesnotoffermuchinformationinhisshort“Preface”toTheDecameron．Onthecontrary，Chaucerdescribesboth

6、alotandindetailthebackgroundofthepilgrimage，thecauseoftheideaofstorytellingactivitywhileridingtowardsthedestination．thecontentsofthetalesintheCanterburyandthestoriesoftheDecameronthemselves．Thetwenty-fourtalesinTheCanterburyTalescovermostsocialaspectsoflateMedievalEnglandincludingpolitics，economics，

7、lawandsociallife．wisdomandclevernessofbusinessmenishighlypraised，loveandsexualpleasureisoversponsored，andlibertyofabourgeoistypeisoverworshipedinthework．