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1、314INTRODUCTIONperformanceandexperiencewhichisalteredbytheemergenceofthe.massmediathroughalossofdistance,intermsoftheremovalofnarrative13boundaries.Chaneyarguesthat'fictionalexperiencehasbecomereducedtoconsumingcommoditiesprovidedbyothers',anargumentnotdissimilartothatofAdor
2、noonpopularmusicandChaneyalsoargues,likeAdornoCulture,theMediaandthe'IdeologicalEffect'andBenjamin,thatitistheexperienceoffictionthroughtextand.performancewhichmustbeunderstoodfirstratherthantheeconomicrelationshipsinvolved..StuartHallHebdige'sarticleexplorestherelationshipb
3、etweenthesocialstructureofWestIndiansocietyanditsmusicandproceedstoexaminethedevelop•mentofreggaeinimmigrantareasinEnglishcitiesanditsappropriationbytheskinheadgroup.I-IebdigestressestheexpressiveandpoliticalfunctionsofJamaicansub-culturesandinsodoingpointstotheunder•lyingma
4、terialforces.CulturehasitsrootsinwhatMarx,inTbeGermanIdeology,calledman's'doublerelation':tonatureandtoothermen.Men,Marxargued,interveneReferencesinnatureand,withthehelpofcertaininstrumentsandtools,usenaturetoreproducethematerialconditionsoftheirexistence.But,fromaveryAdorno
5、,T.W.,1941:(withtheassistanceofGeorgeSimpson)'Onpopularearlypointinthehistoryofhumandevelopment,thisinterventioninmusic'StudiesinPbilosophyandSocialScienceIX(1).naturethroughlabourissociallyorganized.Mencollaboratewithone1967:P1"is11ls.London:NevilleSpearman.another-atfirst,
6、throughthecollectiveuseofsimpletools,therudi•Benjamin,W.,1973:UnderstandingB1·ecbt.London:NewLeftBooks.mentarydivisionoflabourandtheexchangeofgoods-forthemoreKreilil)g,A.,1976:'RecentBritishCommunicationResearch'.Com1111mica•effectivereproductionoftheirmaterialconditions.Thi
7、sisthebeginningtionResearcbJanuary1976.Marx,K.andEngels,F.,1970:TheGermanIdeology.London:Lawrenceofsocialorganization,andofhumanhistory.Fromthispointforward,andWishart.man'srelationtonaturebecomessociallymediated.ThereproductionofJay,M"1973:TbeDialecticalImagination.London:H
8、einemann.humansociety,inincreasinglycomplexandextendedforms,andtheSlater,P.
