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1、Baroque1600-1750France&HollandPoussinFrench,workedinRometobeamongantiquitiesamanofthepast&future(aRenaissancesoulborn intoaBaroque-erabody)worksandwritingsarticulatevaluesofFrenchAcademicpainting:serious,formalhatedtheworksofCaravaggioNicolasPoussinTheHolyFamilyontheSteps1648p.282NicolasP
2、oussinSaintsPeterandJohnHealingtheLameMan,1655Oiloncanvas;491/2x65in.Rubens,TheRapeoftheDaughtersofLeucippusc.1618p.282Rubens,DescentfromtheCross,1611-1614Rembrandt,Self-Portrait, 1640SortieofCaptBanningCocq’sCompanyoftheCivicGuardAKA“TheNightwatch”“theatrical”lightinggroupportraitgenreRe
3、mbrandt,Self-Portrait,1661KEYIMAGEp28860+RembrandtbeginstouseimpastorealisticimagesneedtobeviewedfromadistanceVermeeracuteobserveroflifeLIGHTlittleknowninhistimereputationgrowsinthe19thCenturyonlyabout35worksidentifiedVermeer,TheAllegoryofPainting, c.1665-70p.285Detail,TheAllegoryVermeer,
4、TheMilkmaid,c.1658-60KEYIMAGEp.286VemeerWomanholdingabalance1664Vermeer,LadyWritingaLetterwithherMaid, c.1670Ruysch,FlowersinaVase,1690PREPARETODIEVanitasStillLife,1603 JacquesdeGheyntheElder(Dutch,1565–1629)EarliestknownvanitasStilllife–paintingofinanimateobjectsdatesintheBaroque1742Hand
5、el’sMessiahoratorioc.1600SUMMARY–BAROQUEARTPOLITICS:emergenceofTheStateART:light,energy,motion,drama,complex,ornamented,convoluted,diagonalCHURCHstillanactivepatronwiththeenergyoftheCounter-ReformationROYALpatronage&PRIVATEpatronageshapetastestooIDEAS:scientificmethod
