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1、AninterpretationoftheEpiphanyofTheDeadFromthePerspectiveofLacaiTsTheoryofMirrorStageAbstract:ThedeadisthelaststoryofDubliners・Intheshortstory,theprotagonist,Gabrielundergoesaseriesofpsychologicalfrustrationsandstruggles;atlast,heachievedhislast"epiphany"ofhisfailedmarriageandlifeinhi
2、saunts,party.MirrorstageisLacan*simportantcontributioninthefieldofpsychoanalysis,whichshedsontheformationofself.Inthemirrorstage,theformationofselfdependsonthereflectionoftheothersandissubjectedtoeffectoftheothers.Intheprocess,Gabrielhasundergonethreementalstages:thecompleteself,thed
3、isintegrationofself,epiphanyoftheselfthroughthefrustrationofthethreecharacters,themaidLily,IvorsandhiswifeGretta.Astheothersoutside,theirreactionshavethesignificantinfluenceonthedisintegrationandreconstructionofhisself.Basedonthemirrorstage,thepaperattemptstoanalyzehowtheprotagonistr
4、ealizedhisownepiphany.Keyword:Mirrorstage;Epiphany;Thedead;Lacan;TheselfThe“epiphany"isthedistinctivewritingmodelinDublinersofJoyce,whichaccomplishestheintegrityandharmonyofthecollectionofshortstories.However,the“epiphany"iscloselyboundupwiththeplotandcharacter"sexperiences,insteadof
5、acauselessandunexpectedapperception.Beforethearrivalofthe“epiphany",thecharactermustundergothepsychologicalchangeprocessconsciouslyandsubconsciouslythroughthestimulationofexternalcondition,inwhichsomesituationorthingtriggersthecharacter'semotionandleadtohisorher(iepiphanyn・(LiWeiping
6、,2000:292-293)Therefore,thetheoryofmirrorstagecouldbeanewperspectivetoanalyzethepsychologicalprocessoftheprotagonist.EspeciallyinTheDead,thefunctionoftheothersplaysanimportantroleintheprocessoftheprotagonist^psychologicaldevelopment.Itshouldbepointedoutthat,thattheauthormadethetheore
7、ticalexplorationofthenovel,hasgottensomeverificationofscholar,notaccidentally.InJoyceysaestheticismandnovelart,LiWepingargues,"Inanycase,Joyce"swritingskillsischaracterizedbythedeepexplorationofthecharacters'mysteriousinnerworld,reflectingtheirremotestawarenessareaandthemostobscurese
8、nseperceptio
