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1、TheOtherHogwarts:NarrativeSpaceandImmersioninTheWizardingWorldofHarryPotter“Amazing!Amazing!Thisisjustlikemagic!”Intheintroduction,Idiscussedtheintegrationofscreenswithinthearchitectureofthethemepark.ThierryCoup(vice-presidentofUniversalCreativeandthepark’sdesigner)contex
2、tualisedthemovingimagescreenswithinthenarrativeaestheticoftheparkinordertoimplythepresenceofmagic.Bytransferringthecinematicspecialeffectsusedtoproducemagicinthefilmspacetothetangiblephysicalspaceofthepark,thescreensbecomeaspecialeffectworkingwiththecinematicarchitecturet
3、ocreatethemagicofTheWizardingWorld.Thesescreentechnologiesremediatephysicalspace,thatis,theytransformtheenclosedparkfromaperformativenarrativeuniverseintoanalmost-virtualexperience,‘atechnologicalinterfacesoeffectivethatmostusersareunawareoftheinterfaceatall’.Bukatman1ref
4、erstothevirtual-nessofthistechnologicalspace,as“thecomputer”which2‘becomesasiteofbodilyhabitationandexperienceinthemeparks’.Thisdriveinthemeparkdesignisreflectiveofacontemporarycinemaculturewhichfavours3technologicalmeansofcreating“totalspace”,whichcan‘“standfor,andreplac
5、eall4otherspace”’.Increatingthese“totalspaces”themeparksanddigitaleffectdrivencinemaseektoradicallyexpand‘theperceptionsofrealitythesetechnologies5delive[r]’.Thischapterwillbeexaminingthespatialexperienceofbeingsituatedintheseillusionisticandmediatedridespaces.Immersionhe
6、rehasmoreincommonwiththeexperienceofvideogameplayorvirtualreality.Characterisedbythedualsensation1thBukatman,Scott.MattersofGravity:SpecialEffectsandSupermeninthe20Century.Durham:DukeUniversityPress,2003.262ibid.,263Sobchackqtd.Ndalianis,Angela.Neo-baroqueAestheticsandCon
7、temporaryEntertainment.1944Ndalianis,Angela.Neo-baroqueAestheticsandContemporaryEntertainment.1945ibid.,20467ofimmobilityandmobility,wearefirstpresentandthenimmersedaswe“move”throughvirtualspace.Inthesemedia,presenceisunderstoodasa‘binaryexperience,duringwhichperceivedsel
8、f-locationand,inmostcases,perceivedaction8possibilitiesareconnectedtoamediatedspatialenvironment
