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1、MÁTHESIS192010113-130ATERRIBLEFISHISBORN:INESCAPABLEFEMININITYINSYLVIAPLATHANDW.B.YEATSKONSTANTINAGEORGANTARESUMOAbelezaqueperpetuamentesedesvaneceeregressa,belezaterrívelebelezacomoartetrágica;estessãoostrêsprincípiosessenciaisqueenformamainterpretaçãodapoesiadeW.B.YeatseSylviaPlathnestea
2、rtigo.Aimpossibilidadedeatingiraimperfeiçãoérepresentadanoseutrabalhoatravésdemultifacetadaentidadedoespelho,umabarreiraetambémummeioparaasreconstruçõesereflexõesacercadabeleza,elaprópriadivididanalutaentredoiseus,ummasculinoeumfeminino.ABSTRACTBeautythatperpetuallyvanishesandreturns,beaut
3、yterribleandbeautyastragicart;thesearethethreemaintenetsinformingthereadingofW.B.YeatsandSylviaPlath‘spoetryinthispaper.Theimpossibilityofperfectionisrepresentedintheirworkthroughthemulti-layeredentityofthemirror,abarrierandamediumtoreconstructionsorreflectionsofbeauty,itselfdividedinthest
4、rugglebetweentwoselves,masculineandfeminine.W.B.Yeats‘sandSylviaPlath‘sconceptofthebeautifulisassociatedcloselywithvisionsoftheemergenceofterriblefemininity.The‗terriblebeauty‘borninYeats‘s‗Easter,1916‘,anIreland‗utterlychanged‘and‗transformed‘,isafrustratedvisionoftheimpossibilityofcomple
5、terepresentationbutalsotheterribleimagethatlaunchesthebeginningofanewcyclethroughterror.Plath‘s‗terriblefish‘emergingoutofawaterymirror,aswellasthe‗terrible‘queenbeewithher‗lion-redbody‘andher‗wingsofglass‘,addressandshatterthefemalepreconceptionsofhereraandherpoetrywiththesoundsofirregula
6、rshriekssheinheritedfromtheIrishpoet.Yeats,MatthewSpanglersuggests,manipulatedlanguageforits‗potentialassound‘,theauralcomponentofhisworkbasedmoreoncarefullyplaced1rhythmsandbeatsthanonharmonyormelody.‘AsTerryEagleton1MatthewSpangler,‗―HauntedtotheEdgeofTrance‖:PerformanceandOralityintheEa
7、rlyPoemsofW.B.Yeats‘,NewHiberniaReview,10:2(Summer,2006),pp.140-156(pp.141,144).KONSTANTINAGEORGANTAnotes,theunstressedtyin‗beauty‘incorporatestwophonemesfrom‗terrible‘thusgrantingus‗themomentarydelightsofequivalenceandidentitywithinastimulatingplayofdifferenc
