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1、LanguagesofTheatreShapedbyWomenEditedbyJanedeGayLizbethGoodmanintellectLanguagesofTheatreShapedbyWomenJanedeGayandLizbethGoodmanReprintedinPaperbackinGreatBritainin2003byIntellectBooks,POBox862,BristolBS991DE,UKPublishedinPaperbackinUSAin2003byIntellectBooks,IS
2、BS,5824N.E.HassaloSt,Portland,Oregon97213-3644,USACopyright©2003IntellectLtdAllrightsreserved.Nopartofthispublicationmaybereproduced,storedinaretrievalsystem,ortransmitted,inanyformorbyanymeans,electronic,mechanical,photocopying,recording,orotherwise,withoutwri
3、ttenpermission.ConsultingEditor:RobinBeecroftCoverIllustration:MarkMackieCopyEditor:HollySpradlingTypesetting:MacstyleLtd,Scarborough,N.YorkshireAcataloguerecordforthisbookisavailablefromtheBritishLibraryElectronicISBN1-84150-878-0/ISBN1-871516-78-1Printedandbo
4、undbyTheCromwellPress,Trowbridge,WiltsireContentsListofIllustrationsvNotesonContributorsviiIntroduction:SpeakinginTongues–Making(Senseof)Women’sLanguagesinTheatre1Part1–Re-ShapingTheatreTraditions111SeizingSpeechandPlayingwithFire:GreekMythologicalHeroinesandIn
5、ternationalWomen’sPerformance11JanedeGay2Lear’sDaughtersonStageandinMultimediaandFionaShaw’sKingLearWorkshopsasCaseStudiesinBreakingtheFrame37LizbethGoodman3Playing(with)Shakespeare:BryonyLavery’sOpheliaandJanePrendergast’sI,Hamlet49JanedeGay4TheorizingPractice
6、-BasedResearch:PerformingandAnalysingSelfinRoleas‘I,Hamlet’65JanePrendergastPart2–SpeakingforThemselves:WomenTheatre-MakersatWork735TransmittingtheVoices,VoyagesandVisions:AdaptingVirginiaWoolf’sTotheLighthouseforRadio73LindsayBell6VoicingIdentities,ReframingDi
7、fference(s):TheCaseofFo(u)rWomen89AbriefcommentaryonthetextofFo(u)rWomenAdeolaAgbebiyiFo(u)rWomen99AdeolaAgbebiyi,PatienceAgbabiandDorotheaSmarttPart3–PractisingTheoryandTheorizingPractice1257ScratchintheRecord125LeslieHilliiiLanguagesofTheatreShapedbyWomen8One
8、-to--One:LoneJourneys137HelenParis9MouthGhosts:TheTasteoftheOs-Text153JoolsGilson-Ellis10Afterword–Shape-ShiftersandHiddenBodies177JanedeGayBibliographyandFurtherReading181I
